Tag Archives: Science Fiction

Cage of Souls by Adrian Tchaikovsky

Head of Zeus | 2019 | 624p | Review copy and bought copy | Listen to the book | Buy the book

Cage of Souls by Adrian TchaikovskyThe city of Shadrapar is all that is left of humanity on Earth. It’s built on the remains of countless civilisations, it contains no more than 100,000 souls. It is all there is and, because the sun is dying, soon there won’t even be that. But people have lost the ability to care. They’ve turned their backs on the past, there isn’t a future. Shadrapar is more prison than home. Once people might have regarded it as a kind of utopia, with an ideal government, but no more. Now that government consigns dissenters and free thinkers (those, for instance, who fantasise about fixing this world) to the Island, a prison set within a jungled swamp and inhabited by the real dregs of this society, including murderers, the insane, sadistic psychopaths, misfits (and that’s just the guards). It is to this dreadful place that academic Stefan Advani has been consigned. He reminds us continually that he isn’t brave, that he isn’t special in any way, but he is a true survivor and rebel. He’ll need to be. Cage of Souls is Stefan Advani’s testimony. In it he tells his story – the events that led up to his imprisonment as well as life within the Island, where nothing is more valued or more rare than a glimpse of the sky.

I am a huge fan of Adrian Tchaikovsky and his fabulous imagination, which once more carries us to a strange, dangerous and alien world, so vividly and evocatively described, filling our senses. It’s hard to imagine anyone who can conjure up strange worlds as well as this author and he outdoes even himself here. We’re not on another planet this time but instead on Earth a long way into the future. Nature has reclaimed most of the planet in this, its dying days, but it has transformed. This wouldn’t be an Adrian Tchaikovsky novel without weird and really quite frightening creatures and there are plenty of them to be found here in the swamps, rivers and jungles, and even in Shadrapar. This planet is now the home of scavengers. But there are also mutations and these fascinate and terrify Stefan in equal measure, as he becomes increasingly absorbed in the works of the famous, and now missing, ecologist Trethowan.

Cage of Souls is a testimony told in Stefan’s own words and it isn’t so much of a plotted adventure as an autobiography filled with adventures. We get to know Stefan very well indeed as he is prone to self-analysis as well as modesty. But it is the characters that he must deal with that absolutely fascinate, as well as the the locations that confine them – boats, prisons, jungles, underworlds, the city. The people are incredible. The absolutely terrifying Island Marshall isn’t easy to forget, nor are the other guards and overlords, male and female. Stefan develops a friendship with one of the guards, Peter, whose own story adds some incredible set pieces to the narrative. Other memorable figures include the repulsively horrible Transforming Man and the truly evil Gaki. I listened to the audiobook and the narrator David Thorpe does a tremendous job of bringing the voices of these people to life – I swear I shivered every time these people entered the stage. And then there are the web children and the monsters that can speak. All within the steaming, wet, claustrophobic jungle and underworld.

Cage of Souls is a substantial read – the audiobook is about 25 hours – and I found it thoroughly immersive and also obsessive. I found it so hard to pull myself away from it. You never know what’s going to happen next, because it could be anything. There are moments that are truly horrifying and so dark, especially when it’s brought home what has happened to Shadrapar. The references to past civilisations are fascinating. These are desolate lives in so many ways but Stefan finds life in himself and others, even hope through his friendships, difficult though they can be. It’s a tale of survival, it’s a history of Shadrapar, it’s a prison tale, and it’s a tale of exploration as Stefan heads deep into the jungles and must find it within himself to survive while holding on to his humanity. It’s thoroughly engrossing and gorgeously written.

Other reviews
Children of Time
Children of Ruin
The Doors of EdenWith C.B. Harvey and Malcolm Cross – Journal of the Plague Year

The Doors of Eden by Adrian Tchaikovsky

Tor | 2020 (20 August) | 608p | Review copy | Buy the book

The Doors of Eden by Adrian TchaikovskySome time ago girlfriends Mal and Lee headed to Bodmin Moor in search of the Birdman. They are cryptid hunters, searching for the creatures, the monsters, of myth and legend. They discover far more than they bargained for and only Mal returned. Four years later, Mal sees Lee in London. Lee is on the run, something terrible is happening. Mal pursues her determined to discover the truth but she isn’t alone. There are others on her trail. Meanwhile, physicist Kay Amal Khan is attacked in her lab and M15 agent Julian Sabreur is put in charge of the investigation. He finds himself up against agents that he can’t identify. There’s something not quite right about them. And then he discovers grainy footage of a young woman who is believed to have died on Bodmin Moor.

I am a huge fan of Adrian Tchaikovsky’s science fiction – Children of Time is one of my very favourite novels (please read it if you haven’t already!) – and so I read The Doors of Eden as soon as I could. It has a stunning cover and it’s every bit as good on the inside. It’s a substantial epic read, which is just how I like my science fiction, which perfectly suits its plot and ideas, which are magnificently ambitious and mind bending.

There is so much going on in The Doors of Eden, there are several storylines and characters to follow, as various people try and work out what is going on, find out what is broken with the world. We move between them but we also fall within the fractures of the world, where we come across incredible sights – intelligent and really rather revolting rat creatures (I imagined them as meerkats), enormous insects, bird men, Neanderthals and more. The fear that characters feel on encountering these extraordinary beings is palpable. These alternate worlds are ridiculous in some ways and absolutely chilling in others. We are regularly given extracts from Other Edens: Speculative Evolution and Intelligence by Professor Ruth Emerson (University of California), which makes it all seem plausible, backed up by the work of Dr Kay Amal Khan. It’s a fantastic weaving of fantasy, myth, science, evolution and… something else.

The novel is extremely entertaining and thrilling but it is also driven by the most wonderful characters whose feelings for one another are tenderly treated. The love affair between Mal and Lee is so beautifully portrayed. Soon they are nothing like the daft girls we meet at the beginning as they are changed forever by what they find in the mist. Kay Amal Khan is transgender and that adds another layer as this is used against her by the evil forces at work. These are people that we grow to care about.

As you’d expect from Adrian Tchaikovsky, The Doors of Eden is a beautifully written novel. Its descriptions of places and creatures are hugely atmospheric, frightening and, when needed, humorous. This is a book to immerse oneself in fully. The language is gorgeous, the characters are varied and intriguing, the story is immensely appealing and thought-provoking, and there are moments to make you shiver and others to make you laugh. One of the top books of the year for sure.

I’m currently listening to the audiobook of Adrian’s Cage of Souls – it is fabulous.

I can heartily recommend you read David’s excellent review of The Doors of Eden over at Blue Book Balloon.

Other reviews
Children of Time
Children of Ruin
With C.B. Harvey and Malcolm Cross – Journal of the Plague Year

The Human Son by Adrian J Walker

Solaris | 2020 (ebook and audiobook: 28 April, Pb: 17 September) | 380p | Review copy and bought audiobook | Listen to it | Buy the book

The Human Son by Adrian J WalkerIt is 500 years in the future and the last human has died (in Sweden). Humanity has been replaced by the engineered species it created. The Erta were designed to restore the Earth to how it once was, to repair its environmental and ecological damage. It seemed only natural that they should also remove the human race which did all of the harm. But now that the planet is healthy once more, the Erta decide on a project. A human child will be born that will be raised by Ima, the scientist who worked to heal the skies. If the child proves worthy then the Erta will consider restoring humans to the planet. It will be a climicial experiment. No feelings will be involved. If the child falls short, it can be eliminated at any time.

This is the fantastic starting premise of The Human Son by Adrian J Walker, the author of the wonderful The End of the World Running Club. Once more the author returns to the end of the world, at least for humans, but now the story of humanity’s possible reintroduction to the world is set upon a beautifully restored planet, naturally balanced, healthy and full of life, and watched over by the extraordinary Erta. I loved this novel from start to finish, not just because it’s a fabulous story but also because of its portrayal of Ima, which is magnificent.

Ima tells her story, and that of the child, Reed, in her own words, as if she were reading it to the boy. This immediately connects us to Ima as she faithfully recounts in every detail what it was like for her to raise a human baby, child and teenager. At the beginning, Ima is clinical as she describes (this can be so funny!) the details of putting food in an infant and dealing with what comes out the other end. She also doesn’t know how to communicate with the child or whether he can be left alone or not. And then it all begins to change, as Reed is finally named and he becomes Ima’s human son, a son she would die for.

This portrayal of love, selfless and relentless, is beautifully written. I was spellbound by it and grew to love Ima deeply, as well as the Erta (and human) closest to her as we learn more about this strange society and these even stranger beings. There is much more to the Erta than we might think from the initial pages and it’s fascinating learning about their family structures, their drive for transcendence, their zeal, their science, and their memories of humans and human things. At times it is absolutely chilling. There are occasional glimpses of what it must have been like for mankind to know it was being removed from life. As you’d expect, we’re reminded through Ima’s experiment that there are aspects of a human’s character that make it a species worth resurrecting – music, drawing and so on – but it’s much more complex than that, especially when we learn more about the Erta. There is a great deal of mystery about the Erta and this drives on the pace even while we are engrossed with the gorgeous writing.

I listened to the audiobook of The Human Son and its narration by Alison O’Donnell is enchanting. I was spellbound.

I have no doubt that this will be among my top books of the year.

Other review
The End of the World Running Club

The Last Emperox by John Scalzi

Tor | 2020 (16 April) | 320p | Review copy | Buy the book

The Last Emperox by John ScalziThe Last Emperox concludes John Scalzi’s clever, witty and thoroughly entertaining space opera trilogy, the Interdependency. Under no circumstances should you read this final book without having read the other two first – The Collapsing Empire and The Consuming Fire. If you haven’t read them yet, you’re in for an absolute treat. This review assumes you’ve already had the pleasure.

The Flows that connect the planets and space habitats of the Interdependency are closer than ever to failing. All hope lies at End, the only planet among all of them that can actually sustain human life. But there’s a very real problem, quite apart from getting everyone there in the first place and in time, which is in real doubt, and that is that transporting billions of people to one small planet will doom it every bit as much as all of the other planets. It’s a huge dilemma for the Emperox Grayland II and it doesn’t make matters any easier that her very life is in peril as assassination attempt after assassination attempt fails, but only just, and for how long? The great families of the Interdependency are fighting for power but they’re also fighting for their survival, which makes them even nastier than normal. The Emperox knows from where the greatest danger threatens. She must play her own game to outwit her rival and keep the hopes of humanity alive. But the Emperox has one advantage and she is called Kiva Lagos.

It’s hard to imagine a more entertaining and plot-filled space opera trilogy than this one. There is so much going on! The world building is superb and played out against it is the incredible story of a federation of planets that is facing its demise, and soon. As time runs out there is a scramble amongst the most powerful while the Emperox, a thoroughly intriguing and likeable, conflicted figure, must try and deal with the ethics of it all, which means confronting her own ancestors in the enigmatic ‘Memory Room’. By this stage of the trilogy, masks have largely been dropped and the true nature of the main characters revealed. Many of them aren’t pretty but they’re certainly entertaining.

Favourites have to be the foul-mouthed Kiva Lagos and the appallingly ruthless Nadashe. Both women are scene stealers and huge amounts of fun to read. They are worthy opponents and the reader can expect surprises along the way. Jaw-dropping moments can be found in abundance among these pages. But we also see characters ‘outside the office’, in their relationships, and this adds something human to this story of the approaching apocalypse.

The Last Emperox is packed with action and intrigue. The pace doesn’t let up for a moment. But what makes this book, and the trilogy, stand out is the genius of John Scalzi’s imagination, writing skill and wit. There is so much to resolve in this novel but it’s all pulled together so cleverly and with sharp humour. I loved the Prologue, which reminds us of previous events in such an original and funny way. Some characters are almost like clowns, such as the Acting Duke of End, and we can’t wait to see them get a custard pie in the face. The idea of The Flow is fabulous, as is the backhistory of the Interdependency, which we learn through the Emperox’s encounters with her ancestors.

I have loved every book by John Scalzi I’ve read (I urge you all to read Lock In and Head On) and The Last Emperox is no exception. Now that the trilogy is done, I can’t wait to see where he takes us next!

Other reviews
Lock In
Head On
The Collapsing Empire
The Consuming Fire

Light of Impossible Stars by Gareth L. Powell

Light of Impossible Stars by Gareth L PowellTitan Books | 2020 (18 February) | 367p | Review coy | Buy the book

Light of Impossible Stars completes Gareth L. Powell’s Embers of War, an excellent space opera series, if ever there was one. That means you need to have read the previous two books first: Embers of War and Fleet of Knives. This review assumes you’ve had the pleasure.

The threat to the human race increases, not just from the determined and terrifying Fleet of Knives, but also from whatever it is that the Fleet of Knives seeks to prevent. The sentient starship Trouble Dog knows better than most the danger that lies ahead and the sacrifices that will have to be made. A miracle is needed and Trouble Dog must seek it out, either with or without other members of her pack. For Trouble Dog is an unusual vessel. She was once a Carnivore-class war ship, part human, part dog and part machine. She is loyal, faithful, obedient, but now she has a mind of her own, partly due to her captain Sal Konstanz.

Meanwhile, Cordelia and her brother live on a distant world that is made of giant plates that keep their distance, physical and social, from each other. It’s a place with an alien past and Cordelia is inexplicably drawn to its ancient artefacts, which she sells to keep alive. Until the day that a spaceship arrives and snatches her away. Aboard the Gigolo Aunt, Cordelia will learn about her past and the mysterious space called The Intrusion.

I have thoroughly enjoyed the Embers of War trilogy, not just because it’s exciting and filled with adventure, battles and unfamiliar, strange worlds – and it has all of these things in abundance – but also because of its characters, especially Trouble Dog and her crew, including its engineer, the extraordinary Nod, a Druff, a creature of many legs, faces and offspring, and my favourite crew member. The relationship between Nod and its offspring is brilliantly portrayed. Do read the extract from the second novel that I posted for a taste of how wonderful this is. Trouble Dog herself is one of the most interesting space ships that I’ve read in science fiction. She evolves constantly and her relationship with her captain is integral to the novels, but the ship still retains her canine characteristics and I love that. I particularly like the scenes in which the starship personas gather together as avatars, conscious that they are more canine than human but trying to be as human as possible.

As always with these novels, there are multiple story strands weaving their way through and we move between them, driving the pace and the adventure along. I will also love the times we spend aboard Trouble Dog the most but I did like getting to know Cordelia Pa and her father.

Gareth L Powell is a compassionate writer. He writes about people with feeling and this extends to the non-human characters of the novel, whether they’re an alien or a starship. But there are also monsters in the universe, with big teeth, and they’re a lot of fun to read about. I do love a good space opera and this trilogy is a fine example and, now it’s complete (and you may have some time on your hands), I can heartily recommend it. This may well be, after all, a very good time to venture off-planet.

Other reviews and features
Embers of War
Fleet of Knives
Guest post: ‘The Recent Boom in Space Opera’
Fleet of Knives – an extract

The Last Day by Andrew Hunter Murray

Hutchinson | 2020 (6 February) | 416p | Review copy | Buy the book

The Last Day by Andrew Hunter MurrayIt is 2059 and thirty years have passed since the Earth finally stopped spinning, after ten years of a gradual, excruciating and catastrophic slowing. The results have devastated much of the world, with almost half plunged into constant freezing blackness and almost the other half baked into extinction by the unrelenting sun. Few parts of the planet remain habitable and, ironically, it is the Old World that has fared the best. While the New World roasts or freezes, it is Britain and northern Europe where life can continue in some form or other. Northern Europe has been transformed into the Breadbasket and it is there that all prisoners, all dissenting voices, are sent. They are sent from Britain, a nation that now sees itself as great again, commanding the seas, its borders closed as millions of refugees seek salvation. It is denied to all but the most useful. Davenport is Prime Minister and his power is absolute, the media completely controlled or removed, citizens bound by hunger, deprivation and curfew.

Dr Ellen Hopper is a scientist working on a British rig far from the south western coast of Britain in a perpetual cold twilight world. Her job is to monitor the oceans for changing patterns in the flows of the seas. She has a life there of sorts, she doesn’t want to leave. Then one day she has to. Her University mentor is dying and he wants to see Ellen before he dies. He has something vital to tell her of devastating significance. Whatever he wants to tell her, the government wants to know too and so begins a cat and mouse chase which is not only deadly for Ellen but could have untold consequences for the future of a dying humanity.

I do like a post-apocalyptic thriller and I couldn’t resist the premise of The Last Day. What makes this book especially interesting is that it tackles the subject from a British perspective and asks what might happen if the most hospitable place to live in the world turned out to be these small islands and what effect that would have on government and politics – the answer is not a good one. Which means that this is a political thriller every bit as much as it’s a post-apocalyptic/dystopian thriller.

The world building is excellent. The novel starts in the frightening world of the rig in the cold twilight, which is very much a frontier and border. It moves then to London and it’s fascinating seeing the city recreated as a place that in parts almost reminds its unhappy citizens of the old world before The Slow while other parts are clearly almost destroyed by that event. We see landmarks in ruins, people rioting, a curfew ruthlessly enforced, and empty shops and museums. And then there’s the daylight that never ends, which also has an impact on the psyche of the inhabitants, just as the relentless sun seers their skin. I especially liked the sections in my own hometown of Oxford, which was frighteningly recognisable while also being ruined.

The thriller races along. There are some great ideas and concepts in this novel and it certainly has an intriguing plot. However, I did have some issues with it, largely because I found it hard to engage with or care for any of the characters. Hopper is almost always called by her surname in the narrative and that did distance me from her further. The result is that this made the novel hard to get into. The plot, while intriguing, isn’t suspenseful, so the reveal had little impact. Nevertheless, The Last Day has a good premise and is a fun and entertaining read. Its strength is most definitely in its excellent world building, all of which is described with great skill and impact.

The God Game by Danny Tobey

Gollancz | 2020 (9 January) | 452p | Review copy and bought copy | Buy the book

The God Game by Danny TobeyCharlie and Peter receive an invitation they can’t refuse. Messages appear on Charlie’s computer which claim to be the voice of God. He invites them to play the G.O.D. Game. If they succeed at the tasks they are set then all of their dreams will come true. If they fail or deny God, then they will die and if you die in the game then you die for real. This is the catch that Charlie, Peter, and their friends Anhi, Kenny and Alex have yet to learn but, the deeper they get into the game, carrying out the dares set to them by God and reaping the rewards, the more they realise that they are caught in a trap. Shadowy figures, mysterious packages and conflicting messages all serve to trick the friends as they discover that God intends to own them. There is no way out. God sees everything. God knows everything. Only God can end the game.

I immediately fell for the premise of The God Game and it delivers fully. It’s completely irresistible. The game that the teenagers join takes them on a series of loops, of cause and effect. They can never see the full picture and they are helplessly caught in a spiral. And it is all possible because of the society that we live in, where nothing can be hidden from cameras, microphones, hackers, games that can learn from the user’s behaviour. I really enjoyed this satirical take on the networks and programming that tie teenagers, or anyone, to their phones and computers and can manipulate them, which combines with the excitement and tension of a very enjoyable techno thriller.

The novel isn’t as Young Adult as I expected, it’s just as much Old Adult, but it does present an insightful look at the pain of being a teenager in a world controlled by social media, which makes all of the drama of growing up so many times worse. We see the world through the eyes of people who do not know who to trust, who have hopes and dreams, who fear everyone else because they’re a bit different, who are afraid of failure or of being humiliated. The teens have to deal with God but they must also deal with bullies at school, with the emotions of falling in love – usually with the wrong person – and with the expectations of parents and teachers, who are just as flawed as their children and pupils. This affects them all differently and this human drama drives the novel on, making it as emotional as it is thrilling.

The God Game is extremely exciting but there isn’t quite enough reason or explanation in it for me and, towards the end, I did feel that it’s a bit too clever for its own good. Charlie is the main character but I warmed the most to the only girl in the group, Vanhi, who is arguably the bravest of the four, the most loyal and the most self-sacrificing. I also had warm feelings for Kenny and Alex who seem to be manipulated even more than the others – served up as Abraham offered up his son Isaac to God. There are some intriguing glimpses of Old Testament theology through what is otherwise a very secular thriller.

The God Game is a real pageturner, which exceeded my expectations. It’s sharp, witty and tense and provides some real food for thought on the difficulties that teenagers have always faced but which are now arguably amplified by a digital world that never sleeps, that always watches and constantly judges and manipulates.

The Eternity War: Dominion by Jamie Sawyer

Orbit | 2019 (28 November) | 453p | Review copy | Buy the book

The Eternity War: Dominion by Jamie SawyerDominion completes Jamie Sawyer’s trilogy The Eternity War and so you certainly wouldn’t want to read it without having read the earlier books, Pariah and Exodus. This review assumes you’ve had the pleasure.

The Galaxy is at war. The terrorist organisation Black Spiral, led by Warlord, has unleashed its virus across the Maelstrom, infecting the Krell in an act of ethnic cleansing, planets are being cleansed of life. It is time for a last desperate attempt for the Alliance to defeat Warlord and among the forces will be Lieutenant Jenkins and her Jackals, SimOps troops whose deeds have become legendary. They are also envied by other troops, few of whom would let a little thing like a full-out war get in the way of a bit of retribution. There are scores to be settled on both sides now as old enemies confront one another in an arena of war that is itself the stuff of nightmares.

I am a huge fan of Jamie Sawyer’s science fiction and loved his The Lazarus War trilogy, featuring the most famous SimOps troops of them all, and I have enjoyed The Eternity War every bit as much. But all good things must unfortunately come to an end and this second trilogy here concludes in spectacular, explosive fashion. If you enjoy your science fiction with aliens, spaceships, strange worlds, space stations and battles half as much as I do then you will thoroughly enjoy these books and you can rest assured that Jamie Sawyer writes them very well indeed. He is such a good writer and this is clearly seen in these wonderful characters that we’ve got to know and care for (occasionally hate) through the series.

The concept of the SimOps is brilliant. These are men and women who (and I quote from my review of Exodus) transition into ‘skins’, ‘organic and enhanced bodies that can fight and die as supersoldiers, time after time, while their vulnerable bodies stay safe in their tanks. Each violent death, though, leaves a painful stigmata on their real bodies. Life such as this takes its toll.’ These are suicidal troops who die time after time after time. Just imagine how this affects the soldier – Jamie Sawyer explores this and it’s fascinating. It’s also extremely exciting! Almost every mission ends in disaster and death and, even though these bodies are ‘skins’, the deaths feel meaningful. They’re certainly painful. It takes a certain type of person to be a SimOp and so they are all incredible, especially Jenkins and her Jackals, each of whom has built up quite a back history by now. But Dominion is a little different from the previous two. The fighting now is desperate. It’s not always done on the Jackals’ terms. It could be disastrous for real.

And then there’s the Krell. These aliens feel so real to me after the two trilogies. I can imagine them and I fear them. But we’re also taught to respect them and, if you’ve read the earlier Eternity War novels then you’ll know how this has been brought about. You really need to read these books if only to see the relationship between Jenkins and Pariah.

The action hardly lets up for a moment. When it does, it’s just so Jenkins and the others can rebuild their emotional strength or to understand the political background to the fight. The fight sequences are utterly gripping, tense and engrossing. This isn’t a book to put down lightly. But it’s not all action. The story is a really interesting one and everything is pulled together satisfactorily in this grand conclusion. I’ve loved this trilogy. I can’t wait to follow wherever Jamie Sawyer take us next

Other reviews
The Lazarus War: Legion
The Lazarus War: Origins
The Eternity War: Pariah
The Eternity War: Exodus

Ctrl + S by Andy Briggs

Orion | 2019 (28 November) | 405p | Review copy | Buy the book

CTRL+S by Andy BriggsTheo Wilson’s life is pretty rubbish – he works in a cheap burger joint, he lives with his mum in a house that is a shambles, not particularly surprising considering she’s living on the edge, taking drugs and involved with the wrong people. And now she’s disappeared completely, even leaving her rig behind. Everyone, no matter how poor, has a rig. They enable the user to hook into the alternate or enhanced version of reality that controls so much of everyday life. On her rig, Theo finds messages that don’t just threaten his mother but also him. If she doesn’t give these people what she owes then they will cut Theo into pieces. Theo knows he has to find her before they find him.

Theo discovers that the clues can be found in SPACE, a virtual universe so powerful that nobody is permitted to stay in it for longer than three hours at a time before they’re booted out. It is a universe fueled by intense emotion and sensory experience. People can do anything they like there, including playing elaborate games (in which one can die repeatedly), but Theo and his friends are about to discover that they can do much, much worse. People are being stolen, their emotions harvested and fed into the system, turning it into a playpen for the twisted. And Theo can’t trust anyone, especially the vPolice who patrol this alternate world.

Ctrl + S has a fantastic premise and is a fast and entertaining read that takes us into what seems on the surface to be a gamer’s paradise. This is a near future world in which many of the bad things, like global warming, have been fixed and people have been given a release from drudgery in the heavily controlled but irresistible SPACE. The descriptions of SPACE are the highlight of the novel. It’s all extremely visual. It feels as if we are in a game ourselves. This is the colour while the reality of Theo’s life is the grey. That real world is dark and seedy and increasingly so as we learn more about Theo’s mother.

With the four main characters aged about 20 years old, including the feisty girl that Theo can’t help falling for, and the story involving the hunt for the mother of one of the characters, Ctrl + S does have the feel of a Young Adult science fiction gaming adventure. The young people also seem to spend a fair amount of time throwing up, so there’s also an icky factor! Nevertheless, this is a book I gobbled up in a couple of sittings. There are some dark themes, and we meet evil people (there’s one moment early on that really shocked me), but this is a surprisingly light, sometimes humorous, novel with some interesting ideas about a possible direction in which the world might go, taking the idea of people not being able to cope without their phones to another level. I especially liked the idea of how emojis have developed into more than a language, almost as an emotional force. I think younger readers in particular will really enjoy this.

The Pursuit of William Abbey by Claire North

Orbit | 2019 (14 November) | 432p | Review copy | Buy the book

The Pursuit of William Abbey by Claire NorthIn 1884, English medical doctor William Abbey was in Natal in South Africa and stood by while a young boy was beaten and burnt to death by a mob in front of his eyes. He stood by and did nothing. His mother, who held her murdered child Langa in her arms as he died, looked into Abbey’s eyes and cursed him. Forever now, William Abbey will be pursued by the shadow of Langa. Wherever he flees, Langa will always follow him and will find him. Every time he catches Abbey, a person dearly loved by the doctor will die. The first person who dies is Abbey’s dear sister. Abbey must now frantically keep one step ahead of his relentless, terrible shadow to keep alive everyone he loves, while never daring to love again. He embarks on an endless journey that takes him across Africa and back to Europe and beyond, even to India, culminating in the trenches of France in 1917, where the novel begins. It’s as he travels that Abbey discovers another side to the curse. He can see the secrets in the heart of people around him and when Langa gets very close he is unable from shouting them out. It’s terrifying.

Claire North is one of my very favourite writers and has been ever since I read the first novel published under this name back in 2014, The First Fifteen Lives of Harry August, a tremendous novel. One of the top reads I’ve had in 2019 is The Gameshouse, one of the most clever books I’ve ever read, and so it was a joy to discover that we were to have another novel by Claire North this year. William Abbey, like all of these books, has the most fantastic premise, which really appealed to my love of speculative fiction. It’s a mesmerising idea. But, again as with the other books, this premise is explored to throw light on something else, something dark, something significant, and in William Abbey that something else is colonialism

What Abbey witnesses in South Africa, and also in India, is appalling and he cannot escape it because the truth is pursuing him – across oceans, mountains and deserts. We witness cruelty and prejudice, great injustice and terrible anger and sadness. Abbey comes to the attention of the Nineteen, a government agency working across the British Empire who need men such as Abbey to discover the truth about what their targets are thinking. This is dangerous as it means he has to allow Langa to get very close indeed. It’s no way to live if Abbey can be said to be living any kind of life at all.

Abbey himself is an intriguing character. He’s a man caught in his time who sees it at its worst which means he’s hard to warm to, or like, even while we try to understand him. He narrates the novel, we experience his world through his eyes, we feel the terror and the fear, as well as the guilt. One of the most fascinating elements of the book is when Abbey meets other men and women like him and learns some of the reasons behind their curses. This can be troubling but also heartbreaking as Abbey learns why people cannot forget the past, why it must continue to live through them, through their curse. So many lessons to learn, so much to atone for.

This is a disturbing tale and there is a lot of empire to cover. One drawback of this for me is that I found there was an element of repetition, perhaps inevitably due to the structure and endless chase of the novel. This also led to a bit of a lag in the middle. Nevertheless, while William Abbey isn’t my favourite Claire North book, it is still an excellent and significant novel with some extremely powerful sections of prose. Claire North is a fine writer who impresses time after time. What an extraordinary imagination she has and how gifted she is at telling us her stories. I look forward to reading every single one of them.

For another review of William Abbey, please do take a look at David’s excellent review at Blue Book Balloon.

Other reviews
The First Fifteen Lives of Harry August
The Sudden Appearance of Hope
The End of the Day
The Gameshouse