Tag Archives: Blog Tour

Gate Crashers by Patrick S. Tomlinson

Tor | 2018 (1 July) | 416p | Review copy | Buy the book

Gate Crashers by Patrick S TomlinsonThe Magellan or ‘Maggie’ is Earth’s first vessel to travel deep out of our solar system. It’s taken decades for them to reach this far, every year out another sacrifice for its captain and crew who will not see their families alive again. The only real time constant they have is a method of communication with Earth that is so advanced, it’s almost beyond their understanding. But otherwise Captain Allison Ridgeway and her crew are on their own. And then they discover the artefact fixed in space. It’s clearly non-human. It has unintelligible inscriptions on it. It’s just what the crew of Maggie has been after – the answer to that question asked by the people of Earth since time began: Are we alone in space? No, we’re not. Oh dear.

The technology of the artefact is extraordinary and, when Earth hears about it, the powers that be want to understand it, to recreate it, to make it their own. And so another vessel joins Maggie, this time using alien technology to reach the Maggie almost at once. As new and old spacefaring technology collide and they all finally realise the significance of this enigmatic, powerful artefact, survival becomes paramount. It appears that Earth has rather annoyed the creators of the artefact, it’s trodden on some toes and kicked off a rumpus that could have catastrophic consequences. The people of Earth might mean well but perhaps the rest of the universe can’t be bothered.

The premise of Gate Crashers is so fantastic, I couldn’t wait to read it. It fully delivers. I love a space romp with mysterious artefacts, even more so when they bring about that first contact with enigmatic aliens. But what makes Gate Crashers unusual and particularly successful is that here we have a science fiction novel that is full of humour and actually makes me laugh. This is really unusual! I’m a huge fan of the Hitchhiker’s Guide to the Galaxy novels and any attempt at humour in space since then has fallen flat for me. Gate Crashers clearly has the feel of a homage to Hitchhiker’s, while also going for the fans of the genial and wonderfully easy going spacefaring novels by Becky Chambers, but it also works in its own right. There are plenty of jokes here aimed at those who’ve read a lot of science fiction but, more than that, Gate Crashers is such an entertaining and warm space adventure with moments in it that made me roar with laughter.

The characters are fantastic, whether they’re human or not. Gung-ho Maximus Tiberius isn’t somebody you’d forget in a hurry, however much you might try, while the efforts of ‘Maggie’ to fit in with her crew are poignantly entertaining. It’s just as well that the aliens are in two or three or four minds over what to do with these humans. I really enjoyed the first contact element of the novel, especially when we realise what a bad job the humans are making of it. But the aliens we encounter here are an entertaining mix of species, all with their own issues and concerns, and some downright horrible and frightening. Suddenly the universe feels very big indeed.

There might be humour here but there’s also action and drama and the moments after the artefact is brought inside the Magellan are particularly tense. This is hugely exciting and it becomes even more so when we discover the meaning of the artefact. I think my jaw may have dropped.

Gate Crashers is a hugely entertaining space romp! It’s undoubtedly well-written and witty with some laugh out loud moments to treasure. Humans might be flawed but they’re not the only ones and so the result is a warm, humorous and thrilling look at what might lie in store for mankind once it breaks free of the solar system. I can’t wait!

I’m delighted to post my review as part of the blog tour. You can find other stops on the tour here:

Monday, June 25 Sci Fi Chick
Tuesday, June 26 Books, Bones & Buffy
Tuesday, June 26 Espresso Coco
Wednesday, June 27 Civilian Reader
Thursday, June 28 Bibliosanctum
Friday, June 29 For Winter Nights
Saturday, June 30 Just a World Away

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Where the Missing Go by Emma Rowley

Orion | 2018 (14 June) | 313p | Review copy | Buy the book

Where the Missing Go by Emma RowleyKate Harlow volunteers part-time at a missing persons helpline. It’s the sort of place that youngsters can ring, completely anonymously, to pass on a message to worried parents to let them know that they’re safe. Kate has her own personal reasons for working in such a place. Kate’s teenage daughter Sophie vanished a couple of years ago. Sophie had stayed at a friend’s house for the night and then not come home. Her Dad, Mark, was too late to see her note, to go searching in time. Marriages don’t easily survive such a thing and this one hasn’t. And then one night, Kate takes that call in the centre. It’s Sophie, leaving a message for Kate and Mark Harlow, to say she’s safe. But through all of the emotion, Kate can hear that Sophie sounds far from safe. She sounds frightened and alone. Kate is determined to find her daughter and bring her home.

Where the Missing Go is one of the few psychological thrillers that I was drawn to straight away and was determined to read. It’s such a great premise – that a mother hears the voice of her lost child, the child she thought could be dead – and the novel delivers well on its promise.

Much of the novel is delivered from Kate’s point of view as she thinks back over the days, weeks and months that led up to Sophie’s disappearance as well as the painful days that followed it. Kate is an ambiguous narrator. Her feelings for Sophie overwhelm everything and yet, if we pay close attention, we can see through Kate’s eyes to the teenager below. Perhaps the signs were there from the very beginning.

This, though, like many psychological thrillers, is a tale in two parts and so we are also given Sophie’s point of view and then the novel reaches into more familiar psychological thriller territory. While I did prefer the first half of the novel, I found myself caring very much for Sophie and her story gripped me.

Emma Rowley writes very well. She’s created characters here that I wanted to know and it’s the people who drive on Where the Missing go. We feel Kate’s pain. This is one of those pageturning thrillers that are such fun to read. I read it in a day, very pleased to have enjoyed a psychological thriller that stands out from the crowd.

I’m delighted to post my review of Where the Missing Go for the blog tour. For other stops on the tour, please take a look at the poster below.

Where the Missing Go blog tour

The Poison Bed by E.C. Fremantle

Michael Joseph | 2018 (14 June) | 406p | Review copy | Buy the book

The Poison Bed by Elizabeth FremantleIt is Autumn 1615 and the court of James I is swept up in a scandal. Two of its most celebrated and glamorous members, Robert and Frances Carr, the earl and countess of Somerset, are imprisoned in the Tower of London, accused of murder, of poisoning a man who knew far too much about the King, about Robert and about Frances. As a result, his life was forfeit, and now somebody must pay. But for Frances in the Tower, imprisoned with her newborn baby and the wet nurse, this is the time for her to look back on her short and eventful life, on her upbringing among the cruelly ambitious and powerful Howard family, on her unhappy first marriage, and on her passion for the beautiful Robert Carr, himself beloved by the King.

The Poison Bed is a story with two sides if not more and, as a result, it moves back and forth between chapters dedicated to ‘Her’ and to ‘Him’. In this way we get to know both Frances and Robert, although the reader must keep their wits about them. We, after all, were not there at the time. We are merely an audience. And in James I’s court with its love of wit and drama, little should be taken at face value.

This new novel by Elizabeth Fremantle (here published with a slight change of name) marks a little bit of a change by this fine author. Her previous novels have been more conventional works of historical fiction, focused on the Tudor and Jacobean periods, and bringing to life such incredible women as Katherine Parr (Queen’s Gambit), the Grey sisters (Sisters of Treason), Penelope Devereux (Watch the Lady) and Lady Arbella Stuart (The Girl in the Glass Tower). All four are wonderful novels (I love the first two in particular) and have such a powerful, brilliantly evoked historical setting and context. In The Poison Bed, Elizabeth Fremantle picks another formidable and remarkable figure from history, Frances Carr, and gives her story a bit of a psychological twist. The book is being billed as the Jacobean Gone Girl and I can understand why the comparison is being made because it really does have the feel of that novel in several ways.

The murder at the heart of the novel and the ensuing arrest of this most glamorous couple are a perfect subject for historical fiction, not least because it reveals so much about James I’s court. His sexual relationship with Robert Carr is given a significant place here. Frances Carr’s position in the court is ambiguous and curious. So much is hidden by the threat of scandal but it certainly tantalises. Frances dominates the book in a way that James fails to dominate his court and government and it is up to the reader to make up their minds from the stories offered up by both Frances and her husband, Robert.

It’s in the second half of the novel that it takes on more of a psychological thriller feel and, possibly because of that, it’s the first half that’s my favourite for it’s then that Elizabeth Fremantle builds up a vivid painting of life in the early 17th century for the very wealthy and ambitious. The Howard family is outrageous and the little child Frances is very much their pawn. I really enjoyed the depiction of James I and his circle. James isn’t a character that we meet too often in historical fiction but he certainly makes for a fascinating subject and the author does such a fine job of animating a figure that I know mostly from portraits. Robert Carr left me comparatively cold. He is completely out of his depth in James I’s government and he flounders. His devotion to Frances, though, is undoubtedly intense. There are so many richly drawn, larger than life characters in The Poison Bed. I love the way that we flit between them.

Elizabeth Fremantle writes so well. This is sparkly, witty prose, dancing between characters, between past and present. The reader is rewarded for paying attention because it can be a challenge keeping up with some of the figures in the book, not to mention their moods. Personally, I think that the story behind The Poison Bed is intriguing enough (and in such safe hands here) that the psychological thriller element wasn’t needed but it may mean that a wider readership will discover the joys of Elizabeth Fremantle’s historical fiction.

I must mention the cover of this hardback – look how beautiful it is!

Other reviews
Queen’s Gambit
Sisters of Treason
Watch the Lady
The Girl in the Glass Tower

I’m delighted to post my review as part of the blog tour. For other stops on the tour, please take a look at the poster below.

Poison Bed Blog Tour Card

‘The Recent Boom in Space Opera’ – guest post by Gareth L. Powell, author of Embers of War

Embers of War by Gareth L PowellOn 20 February, Titan Books published Embers of War by Gareth L. Powell, a brand new space opera that ticks all of the right boxes. You can read my review here and buy it here. To celebrate the publication, I’m delighted to host a guest post from Gareth in which he discusses the recent boom in space opera. As someone who loves space opera more than chips (how I need my books on spaceships and alien artefacts…), I couldn’t be more thrilled by the prospect of a boom and the next novel in Gareth’s series can’t come soon enough for me.

The Recent Boom In Space Opera

Like it or loathe it, space opera’s always been an important part of science fiction. Maybe even the heart of the genre. Whatever else may be going on, there have always been books about big spaceships, colossal alien artifacts, and vast interstellar wars.

As a sub-genre, space opera went through a bit of a renaissance in the late 1990s and early 2000s, with books by Alastair Reynolds, M. John Harrison, Stephen Baxter, Gwyneth Jones and others. Now, as we approach 2020 (itself an almost unbelievably futuristic-sounding date to those of us raised in the 1980s), it seems to be undergoing another dramatic resurgence.

In 2014, Ann Leckie’s debut novel, Ancillary Justice, won the Hugo, Nebula, Arthur C. Clarke, Locus and BSFA awards—the only novel ever to have achieved such a clean sweep. The sequels Ancillary Sword and Ancillary Mercy, and the related novel Provenance have followed it. The fact these books feature dark-skinned main characters in a gender-neutral society seems to have touched a nerve in ways not seen since Iain M. Banks’ Culture novels brought left wing politics into space opera back in the 1980s and 1990s, and opened the way for more diversity in the genre, both in term of subjects and authors.

Becky Chambers’ delightful 2014 novel, The Long Way To A Small Angry Planet, explores the complex relationships between a diverse human and non-human starship crew, including love between man and computer, an interspecies lesbian fling, and a creature caught in a symbiotic relationship with a parasitical virus. The sequel A Closed And Common Orbit continues to expand on these themes, and a new book is on its way.

In 2016, Adrian Tchaikovsky’s Children Of Time won the Arthur C. Clarke Award for its portrayal of the struggle between a starship carrying the last survivors of the human race and a civilisation of uplifted, intelligent spiders. Spanning thousands of years and following the development of spider civilisation, and the rise-and-fall of various human societies, the book has the epic feel of the very best space opera coupled with a visionary examination of what it means to be truly civilised.

Kameron Hurley’s dark and disturbing 2017 novel, The Stars Are Legion, has been jokingly described by its author as, ‘lesbians in space.’ In reality, it’s a savage, epic tale of tragic love, brutal war and revenge set amid a cloud of decaying organic world-ships, in which an amnesiac soldier sets out on a desperate mission that will either save or destroy the fleet.

Mathematician Yoon Ha Lee received the 2017 Locus Award, as well as Hugo, Nebula and Clarke nominations for his novel Ninefox Gambit, which follows the fortunes of a young military officer and the ghost of a disgraced, long-dead commander as they participate in inter-factional conflict in an Empire whose technologies and tactics are determined by consensual acceptance of the Imperial Calendar.

Since the publication in 2011 of Leviathan Wakes, James SA Corey’s ‘Expanse’ series — now on its seventh volume, Persepolis Rising (2017) — has been charting humanity’s rocky progress from being an interplanetary society centered on Earth, Mars and the asteroid belt, to an interstellar society of colonies scattered among fifteen hundred worlds. We see the upheaval through the eyes of the crew of the independent frigate Rocinante. They are drawn from various squabbling planets and ethnicities, but stay together because of the love they have for each other and the ship on which they live.

Taken together, these excellent books show that we’re currently living in something of a golden age for progressive, inclusive space opera. And it’s against this background that I launch my own series, starting with Embers of War, which was published by Titan Books on 20 February.

Embers follows the adventures of the former warship Trouble Dog, and her misfit crew of war veterans and cadets, as they race to rescue a liner that’s been downed in a politically sensitive star system. Featuring strong female leads, ancient alien mysteries, and some full-on space combat, I hope Embers of War can take its place alongside the books I’ve listed above, as part of the recent boom in space opera.

Embers of War by Gareth L Powell is published by Titan Books. You can find Gareth on Twitter @garethlpowell.

For further stops on the blog tour, please do take a look at the poster below.

Embers of War blog tour_Final

Traitor by David Hingley

Allison & Busby | 2018 (18 January) | 382p | Review copy | Buy the book

Traitor by David HingleyIt is May 1665 and Mercia Blackwood, with her child Daniel and manservant Nicholas, is at last returning home to England and London after her adventures in America. Surely now she has done enough to win back the favour of Charles II, the King who executed her father for treason, and all that he has promised. But after weeks at sea, her reception home could hardly be worse. It seems that he will demand more from her.

England is at war with the Dutch. The King, and his mistress Lady Castlemaine, believe that there is a spy at court, spilling secrets to the enemy, stolen straight from the King’s War Council. It is believed that the spy is named Virgo and she is thought to be one of the women in closest association with members of the Council. Who better to hunt the spy out than Mercia? She is, after all, herself adored by one of the Council, Sir William Calde. Mercia’s investigations will take her into the heart of the glorious yet debauched royal court. She will also witness the lives of those who serve the powerful, as servants and, sometimes, as little more than pets.

Traitor is the third novel by David Hingley to feature Mercia Blackwood. At the time of writing this, I have read Birthright, the first, but have yet to read Puritan, the second of the series which moved Mercia from London to America on another mission for the King. The fact that I have yet to read Puritan did nothing to harm my enjoyment of Traitor but it certainly made me want to go back and read it. The fact that I didn’t at the time was because the story had moved from London and King Charles – who is such an appealing element of these books – to the New World. But now I’d like to find out what went on. In this third book we are squarely back in London.

The portrayal of Charles II’s court is full of colour. It also reeks with sin. So soon after the Civil War, with England at war once more, there’s a strong sense of the fragility and vulnerability of Charles II’s reign, especially as his children, though many in number, are all illegitimate. There’s hardly a man at court without a mistress, as well as a wife. It leads to complications. And having to unravel it all is Mercia.

I like Mercia. She’s independent and courageous, doing all she can to get what she needs in what is most definitely a man’s world. Women at court are expected to be mere adornments although one suspects that the women are more influential than their men might suppose. But the emphasis is on Mercia’s mission and drive rather than on her character and so she isn’t especially three-dimensional. But, as I say, I do like her.

I particularly enjoyed the elements of the story that took me out of the oversweet court and into the stench of London’s poorest streets and also onto the ships preparing for battle against the Dutch. The fact that this novel is set in 1665 made me expect the Great Plague and, although it does make a cameo appearance, this is very much about the war with the Dutch. I know very little about this, or about the ships that fought it, and so I found this really interesting. There’s another ogre that raises its head in Traitor and this is slavery. These sections were, for me, the best of the book.

I think it’s quite likely that Charles II isn’t quite done with Mercia Blackwood yet and so I’m intrigued to see what will happen to her next, should David Hingley continue her story. This is one of my very favourite periods in British history to read about so I certainly hope he does.

Other review
Birthright

I’m delighted to post this review as part of the Blog Tour. For other stops on the tour, do take a look at the poster below.

Traitor blog tour banner

Shadows by Paul Finch

Avon | 2017 (19 October) | 464p | Review copy | Buy the book

Shadows by Paul FinchManchester’s gangsters are no strangers to violence and crime but the tables have been turned. A series of brutal robberies, with criminals as the victims, has the city’s biggest gangs reeling. DC Lucy Clayburn has firsthand experience of just how dangerous these streets can be but she is determined to sweep them clean. It doesn’t matter to her that one of Manchester’s most infamous criminals is her father. That’s nobody’s business but her own. And when she manages to pull off a key arrest, Manchester’s elite Robbery Squad is keen to welcome her among their number. Perhaps now Lucy can really make a name for herself on her own terms. Solving the strange crimes that are shaking the foundations of Manchester’s crime world would be a very good start. But it could also be the end of her…

Shadows is only the second novel by Paul Finch to feature detective Lucy Clayburn but this is already a very strong series indeed. I loved Strangers, immediately falling for Lucy. She is a wonderful heroine – undoubtedly flawed and vulnerable but also courageous, stubborn, determined to stand alone, and resolute. Nobody understands crime like she does – she’s only had to observe her parents to see its effects – and she’s set on defeating it, bit by bit. She’s only a DC and so she does what she can, pounding the streets after insignificant lowlifes, but grabbing every chance she can get to strike higher up the criminal foodchain.

Lucy is fantastic to spend time with and in Shadows, as with Strangers, she’s given a story worthy of her. Much of this novel had me on the edge of my seat and I thoroughly enjoyed the twisty ways in which it developed. But it’s enriched by Lucy’s own unusual background, her self-doubt and her relationships with her family and other detectives. Life isn’t easy for Lucy but you sense that she thrives on this police role that she’s shaping for herself in her own unique way.

The Manchester setting is great! I spent some time in its clubs and neighbourhoods as a teenager and Paul Finch’s portrait of it feels so possible and authentic, frightening yet also alive. The policing is also well done and the investigations – and competition for results – are exhausting. I must admit that I’m normally not a fan of gangster books in the least and so I initially had my doubts about this series but these have proven unfounded. This is largely due to the strong storytelling and Lucy herself. The policing is what dominates here. There is nothing glamorous in the portrayal of Manchester’s controlling bullies.

I’m a big fan of Paul Finch’s other longer-established detective series featuring Heck. But, if it isn’t heresy to say so, I’m starting to think that these Lucy Clayburn books are even better – for their Manchester setting and feel but also for the character of Lucy. She is so well-drawn, unusual and likeable. I hope to spend much more time in her company over the years to come.

Other reviews and features
Strangers
Hunted
Ashes to Ashes
Guest post – ‘What seven things you should know if you want to write crime fiction’

I’m delighted to post this review as part of the blog tour to celebrate the publication of Shadows this month. For other stops on the tour, please take a look at the banner below.

SHadows blog tour banner

An interview with Alex Lake, author of Copycat

Copycat by Alex LakeAlex Lake is one of my favourite authors of psychological thrillers – I loved After Anna and Killing Kate (despite the latter’s title, obviously…). The good news is that this week HarperCollins publishes Alex’s latest thriller, Copycat. A review will follow shortly but, in the meantime, I was delighted to be given the opportunity to interview Alex as part of the blog tour to celebrate Copycat‘s publication.

First, a little of what the book’s about:

Imitation is the most terrifying form of flattery…

Which Sarah Havenant is you?

When an old friend gets in touch, Sarah Havenant discovers that there are two Facebook profiles in her name. One is hers. The other, she has never seen.

But everything in it is accurate. Photos of her friends, her husband, her kids. Photos from the day before. Photos of her new kitchen. Photos taken inside her house.

And this is just the beginning. Because whoever has set up the second profile has been waiting for Sarah to find it. And now that she has, her life will no longer be her own…

Q&A, with thanks to Alex!

Congratulations, Alex, for Copycat! Another excellent psychological thriller. What inspired you to write the story of Sarah Havenant? Where did her story come from?

Thank you – very kind! Sarah’s story came from a number of different ideas that I had floating around – I’d been thinking about identity theft online, I had an idea about meeting your doppelganger and what that might do, I wanted to write about someone – who became Sarah – who had a seemingly stable, solid life, but who had no idea of what was coming to them and how vulnerable they were. And then, one evening, all of the ideas came together: the doppelganger became an online doppelganger, and they were the person who meant Sarah serious harm.

That tends to be how it happens – I have all kinds of scraps and notes and ideas for characters, none of which is, on its own, a book. Then one day they assemble in some way and I think – there it is. That’s a novel.

Did researching the story affect your use of social media, particularly Facebook?

I don’t use social media all that much, although if I did I would probably have stopped after writing Copycat! I read a bunch of stuff on identity theft, and all that someone needs to get access to your bank accounts and tax records and whatever else they want, is your name, birthday, address and a few personal details like your maiden name or the names of your kids. It does seem risky to leave all that out there for the world to see.

You’ve written three psychological thrillers, each is original and also compelling. Do you already have ideas for the next? Does it get harder each time?

I do. I’m working on something now, and I have a rough idea of the one after that. As I mentioned earlier, I also have a drawer full of notebooks and scraps of paper with ideas and sketches on them, some of which will make it into a novel at some point.

I think it gets easier in some ways and harder in others. Easier, because you get better at spotting what isn’t working – a character or scene or plot line – and you become more ruthless – now I don’t hesitate to cut something if I think it is not quite right.

Harder, because you start to worry about becoming repetitive. It’s not the writing itself – it’s the ideas. Other writers may be different but I can’t force ideas to come – all I can do is gather the scraps and wait for them to come into focus. It always feels a bit risky – what if they don’t come?

Do you have the plots of your novels worked out completely before you start writing or do you leave room for character and plot to develop as you write?

I have the characters, the situation they are put into, and the ending. I need all three before I start on a first draft. In particular, I have to have the ending. I have at least two manuscripts in a drawer that I got about 60,000 words into and realised I didn’t have an ending for. So I try to avoid that now.

Once I start I let the characters and plot go where they will. Often a character surprises me by doing or saying something I wasn’t planning, and that can lead to unexpected developments in the plot.

How important is a twist to you as a writer and a reader?

I think it’s important in a psychological thriller because it’s sort of the engine of the book – everything’s going along and then suddenly something happens and our understanding of the characters and events is totally changed – normally we realise that their situation is a lot worse than we thought. The twist is the way we get that understanding. It’s also fun, because readers know it’s coming and try to figure it out. It’s a bit like a whodunit – there’s an element of a game between the reader and writer.

However, the twist alone is not enough. You still need characters you can believe in and sympathise with and a villain who scares you, as well as an original idea for a plot.

Some historical fiction authors avoid reading other historical fiction. Do you read psychological thrillers for pleasure? If you do, do you work them out?

I tend not to read them when I’m writing or they kind of creep into my work, but I do read them at other times. Sometimes I work them out, but not often. I don’t think that being a writer of psychological thrillers necessarily helps – other writers approach the puzzles and problems totally differently. I’m often amazed (and jealous) at what they come up with.

What is your favorite novel of the year so far?

Gosh, it’s hard to choose. If I have to pick one, I’ll go for His Bloody Project. I thought it was really original, and I read it in an afternoon.

What are you reading at the moment?

I’m reading The Hidden Life of Trees, by Peter Wohlleben. It’s fascinating – he describes how trees communicate with each other, care for sick trees by providing them sugar and water through interconnected roots, and even have families, of a sort. It’s really changing how I think about my walks in the forest!

Reviews
After Anna
Killing Kate

For other stops on the tour, do take a look at the poster below.

copycat blog tour banner