Tag Archives: America

Win by Harlan Coben

Century | 2021 (18 March) | 384p | Review copy and Bought copy | Buy the book | Listen to the book

Win by Harlan CobenWindsor Horne Lockwood III is a man of privilege, a billionaire proud of his emotional stillness, his cold separation from people, except perhaps his friend Myron and maybe his biological daughter. He is the man who, when called, answers the phone with the simple command ‘Articulate’. But when a suitcase containing items stolen from his family years before is found next to the body of a murdered man, Win is mildly ruffled, or at least interested. These items had disappeared on the night twenty years ago that his uncle was murdered and his cousin, Patricia, was kidnapped, stolen away to be raped and tortured at the Hut of Horrors. And then there’s the identity of the murdered man to contend with – Ry Strauss, a hoarder and a recluse, believed to have been a member of a terrorist group in the 1970s, the Jane Street Six. The FBI believes there must be a link with the Hut of Horrors, with Win’s family. It seems only logical that Win should investigate.

Win is, I’m embarrassed to admit, the first Harlen Coben thriller I’ve read but many will know that Win is the sidekick of Coben’s popular detective Myron Bolitar and now he has a novel of his own. This makes Win a great starting point for new readers like me. Myron gets his mentions but this is most definitely Win’s book and it provides such a good entry into this world of Harlan Coben’s thrillers.

Win is quite a character and my feelings towards him are mixed. He’s undoubtedly arrogant, defying anyone to like him, and he has some extremely annoying and obnoxious habits, but the fact that others do seem drawn to him, to want to work for him quite apart from any financial gain, adds to his charisma. But what clinched it for me is Win’s increasing bewilderment surrounding his feelings for his ‘biological daughter’. I found myself liking him, perhaps not a huge amount, but certainly enough to be fascinated by him. He’s undoubtedly unusual and that made a refreshing change.

The big appeal of Win, though, is its extraordinary and fabulous plot. This is a great story with so many layers to it. It’s intricate, it’s involving, it’s terrifying and it is extremely gripping. It’s a puzzle that Win must dispassionately solve but it’s also a dark storm. I love that mix of neatness and chaos. It is brilliantly done by Harlan Coban and, on reading this, I could completely understand why so many people are hooked on his thrillers. I did find myself getting a little lost on occasion but I was happily swept away by it and loved how it all came together.

I listened to the audiobook, which is brilliantly read by Steven Weber. The novel is narrated by Win, which makes it a perfect fit for the audio format when told as well as Steven Weber tells it. He gives Win a voice that fits so well. I was engrossed. Despite the darkness of some of the content, this book is a lot of fun to listen to.

I’m really intrigued now to read earlier novels, to meet Myron for myself and to understand more about his relationship with Win and to find out more about Win himself. I don’t think I’ve ever met anyone quite like him in a book before.

We Begin at the End by Chris Whitaker

Zaffre | 2020 (2 April – ebook: 26 March) | 464p | Review copy | Buy the book

We Begin At the End by Chris Whitaker

Thirty years ago, Vincent King, aged just 15 years old, killed Sissy Radley. He has now served his time. His oldest friend Walk, the Chief of Police, collects Vincent from jail and drives him home to Cape Haven, in California. Cape Haven is a neglected, unfortunately placed and unhappy town, never forgetful of the murder, and now it is thrown into turmoil by the return of its killer. Sissy’s sister Star is a traumatised, damaged woman. Her 13-year-old daughter Duchess looks after her and cares for her little brother Robin who is 6 years old. Duchess is an odd child, disliked and even feared. She hides behind a Wild West persona she has created as a shield. She has her eye on Dickie Darke, a man who wants to transform the town, and who Duchess knows is responsible for much of the evil in Cape Haven. Vincent King means little to Duchess, but he means so much to everyone else. The community is upheaved, its fragile heart pierced and darkness descends. Walk must help Duchess and Robin to escape before they are consumed.

I’m going to make a bold claim here. I don’t think there’s an author out there whose books can move me as profoundly as Chris Whitaker’s books can. His novels defy genre and expectations. The author’s insight into character and place is tremendous and can often be devastating. We Begin at the End is his third novel and another stand alone read. It builds on Tall Oaks and All the Wicked Girls, both outstanding. Again, we’re taken to small town America and once more we’re introduced to characters, especially children, who melt the reader’s heart while also punching us in the gut. You read one of these books and you’ll be reeling from it afterwards.

Ostensibly, We Begin at the End is a crime thriller but it’s much, much more than that. It is a novel about damaged people living in a town, so inappropriately named, that seems to deserve no better. It’s Walk who tries to hold it together but it’s under assault and Walk is not the man he once was. Part of the novel is also set in a rural community in Montana, which is such a contrast to Cape Haven but still presents such challenges. What links the two is Duchess and Duchess dominates the novel. She is so beautifully created, as is her little brother, and the relationship between the two of them is exquisitely drawn. So too is the relationship between Duchess and her grandfather Hal. Such is the impact of some of the characters in this novel that they almost take on allegorical powers.

We Begin at the End is a journey towards a salvation that may not be possible. It’s a journey assaulted by loss, murder, revenge, cruelty, hatred, fear and love. It’s not always dark, there is gentle humour. There are also big stories as we learn about the people of Cape Haven, including Vincent King. That means that the novel is as intriguing and engrossing as it is emotionally involving. The sense of place is fabulous. Its locations feel real and influential.

Chris Whitaker is a fine author, one of the very finest, and he should be on everyone’s reading list. He proves this yet again with We Begin at the End which is a masterpiece. This is how characters should be written. The author is a genius in creating loveable, damaged, vulnerable human beings, both child and adult. This means the reader is extremely emotionally invested in his stories. It does mean that there will probably be tears. This is a painfully sad novel at times but watching how the characters, especially Duchess, deal with this is mesmerising. Please read it. You won’t regret it. With no doubt at all this is a contender for my top book of 2020. And now, more than ever, we need books like this.

Other reviews
Tall Oaks
All the Wicked Girls

Elevator Pitch by Linwood Barclay

HQ | 2019 (5 September) | 400p | Review copy | Buy the book

Elevator Pitch by Linwood BarclayOne Monday morning, four people get into a lift in Manhattan, New York. Everything seems normal until the lift stops. And then everything goes very wrong indeed. It seems to be a terrible accident but then, a week later, another lift kills. The city is in shock. How can a skyscraper city manage without its elevators? The authorities don’t know how to deal with it. Blame flies between them, with many pointing a finger at the Mayor who, in turn, has his eye on others. Two detectives and a journalist race against time to stop the panic, to catch the killer. And meanwhile people die, not just in the lifts but also on the stairs as people are faced with climbs of over a hundred flights of stairs. The city is being held to ransom. But why?

I’m embarrassed to say that Elevator Pitch is the first novel by Linwood Barclay that I’ve read but what an introduction to his books this is! The premise is very enticing and the thriller fully delivers on it. Elevator Pitch is thoroughly exiting, tense and exhilarating – there were moments when I just could not look. I also read this book when I was staying eight floors up in a hotel. It made that lift ride to breakfast each morning a little sweaty. But it was the perfect holiday read.

The story is fantastic but so too are the characters as we spend time with a range of people, as we get to know a little about how this city is run. Battle lines have been drawn between the journalist, Barbara, and the Mayor and it’s now got very personal indeed. It’s worth pointing out, though, that this is not a simple case of the evil city Mayor. Richard Headley is much more complicated than that. Meanwhile two detectives, one near the start of his career, the other nearing the end, bring their very different skills together to try and solve this case. And there’s a countdown. A very special public event will take place shortly. The world will be watching and elevators will be needed.

There’s a social message as well. This is a city divided between rich and poor, with the rich enjoying living and working in the roof of the city in its skyscrapers. Radical groups are gaining media attention, terrorist acts are taking place across the northeastern United States. Time is ripe for the elevator killer to cause maximum terror. This is thrilling stuff! This is the type of thriller, with a political element thrown in, that I find irresistible and I gobbled it up, even though it made me eye that hotel lift with more than a little unease. There were also some unexpected moments of emotional shock. Excellent!

The Last Widow by Karin Slaughter

HarperCollins | 2019 (13 June) | 448p | Review copy | Buy the book

The Last Widow by Karin SlaughterMichelle Pivey is out shopping with her daughter when a van comes to a stop right next to the young girl. As she’d been taught to do, the girl runs for her life. But the man doesn’t go after her. It’s Michelle he wants. A month later, Will Trent, an agent with the Georgia Bureau of Investigation, is having lunch with his girlfriend, medical examiner Sara Linton, and her family when the peace is shattered by the explosions of bombs.

Will and Trent run towards the sirens, stumbling across a road accident, with men injured, others acting suspiciously. Sara is grabbed. Sara’s family is desperate. Will feels both guilt and rage. He will do whatever he can to recover Sara but to do that he must go undercover. He will come up against a radical group, who live hidden away in the Appalachian mountains, plotting the end. Michelle Pivey, it seems is a scientist with the highest clearance at the Centre for Disease Control. The clock is ticking.

The Last Widow is the ninth novel in Karin Slaughter’s Will Trent series. Although I’ve read some of the author’s excellent stand alone books, this is the first Trent novel I’ve read. And so I read it as another stand alone mystery and there was no problem with that at all. The character of Will, and his situation, is so skilfully and thoroughly brought to life that it didn’t matter at all that I’d missed his past life up until now. There is one case from Will’s past, though, that is still on his mind as the court date draws nearer.

I was immersed in The Last Widow from the thrilling opening couple of chapters. The pace then does slow for a short while and that’s largely because the novel alternates chapters between the viewpoints of Will and Sara. While they’re together at the start of the book we’re given chapters which present the same events twice. But once Sara has been snatched and Will goes after her the two perspectives separate and follow their own paths at an exhilarating rate.

So for half of the time we’re with Will going undercover with all of the tension and anxiety you’d expect, whereas the other half follows Sara’s experiences in this extraordinary and lethal environment where one false word could lead to her death. Sara is now living on eggshells. Any moment it could all blow up. Will’s demons, however, are on the inside.

There are sinister undertones as Sara and Will learn more about the man in charge of the men who snatched her. This does lead us into dark territory and the reader is soon very concerned for the innocent. This is superb storytelling. Characters are not just black and white. Evil can hide. It isn’t easily overcome.

The Last Widow is a very good book indeed. It is thoroughly exciting and engrossing, as well as disturbing and shocking, and events are overshadowed by the dread of whatever it is that the kidnapper might be planning in his sinister camp, hidden away from the modern world. The character portraits – of the good and the evil – are excellent. I read The Last Widow in two sittings and most of it in one go. I couldn’t have been more caught up in these lives. Having read Karin Slaughter’s last three novels, I’m well and truly hooked.

Other reviews
The Good Daughter
Pieces of Her

I’m delighted to post my review of this wonderful novel as part of the blog tour. For other stops on the tour, please do take a look at the poster below.

Dark Water by Elizabeth Lowry

Riverrun | 2018 (6 September) | 468p | Review copy | Buy the book

Dark Water by Elizabeth LowryIt is 1855 and Hiram Carver, doctor to the insane in Charleston near Boston in Massachusetts, is putting to paper his thoughts concerning ‘the dark water, or submerged aspect of the human mind’, reflecting on those pivotal moments in his life and career when he served as assistant surgeon aboard the Orbis in 1833. In that brutal environment, so far from home and safety, Carver met William Borden, a man loved by everyone and known to all as ‘The Hero of the Providence‘.

The Providence was an unhappy ship, its crew torn apart by mutiny. Borden put a small number, including the captain, aboard a dinghy and he sailed them to land after a terrible journey of several months. This experience has left its mark. Back in Boston some time after his experiences aboard the Orbis, Dr Carver receives a new patient in his asylum – William Borden. Madness has pursued him but Carver is determined to cure him. And the only way he can do that is to make them both understand what happened on the Providence, to go back to the dark water that continues to haunt both Borden and Carver.

Dark Water is a novel I’ll remember for a long time. I love novels about the sea, especially when they’re tinged with the hint of mystery, of the unknown, and this novel swept me off my feet. It is beautifully elegiac, telling a Gothic story that also feels so grounded in 19th-century Boston, before the events of the American Civil War. The sea and the land – namely Boston, Charlestown and the island of Nantucket – play equal parts and they’re both evocatively depicted, although it’s at sea, the sea that laps up against the coast of Massachusetts and is always inescapable, where the true mystery lies.

Above all else this is the story of Hiram Carver, told in his own words. Carver hates the sea, it hates him. He feels most at home in his office in the asylum for the insane observing patients who are most surely at sea, kept apart from their families and loved ones, from reality. These are Carver’s memoirs and in them we find the Hero, the enigmatic William Borden, Carver’s addiction, but there are others equally memorable – Carver’s sister Caro, Borden’s fiancee Ruth, Carver’s boss and mentor at the hospital, Dr Mansfield, and so many others and they all leave their mark, perhaps more than anywhere on the island of Nantucket.

Watching Hiram Carver’s personality change so severely for the worse through the years is compelling and here is the quiet, moody drama of Dark Water. What happened to Barden is a great mystery to Carver but for us it holds fewer surprises. Instead, I was riveted by this most elegant tale of lost human lives, that fragile line between sanity and madness, and the hopelessness of love. It is melancholic and cruel in places but there’s such a beauty to it. Images  and themes are pursued through the novel, especially the act of eating and starving – it’s cleverly done. I also really enjoyed the extracts from the court case that prosecuted the mutineers. It’s such a riveting story.

Dark Water is a relatively lengthy novel and every page of it is a pleasure. It’s extremely hard to put down. Elizabeth Lowry is such a fine writer, she pulls you into the book and there’s no chance of release until the end. There is so much to it. A tale of seafaring disaster, madness, impossible love and loneliness set against the backdrop of 19th-century Boston, Nantucket and the vast blue expanse of the ocean. Irresistible.

Pieces of Her by Karin Slaughter

HarperCollins | 2018 (6 August) | 470p | Review copy and bought copy | Buy the book

Pieces of Her by Karin SlaughterIt is August 2018 and it’s time for 31-year-old Andrea (that’s Andy to you and me, but not to her mother) to make some decisions about her future. It’s time for her to leave the family home once again and stand on her own two feet. At least that’s what her mother Laura thinks. And it’s right in the middle of their discussion about this in a shopping mall restaurant (surely not the right time or place for this debate, Andy thinks), when a young man walks in and shoots dead another mother and daughter standing nearby. The gun is then trained on Laura and Andy. With barely time for hesitation, Laura kills the boy with his own knife. Andy cannot believe her eyes. She looks at her mother and no longer knows who she is.

And this is just the beginning. As events escalate, Andy has no choice but to go undercover, to run for her life while chasing the truth about Laura. In so doing, Andy will not only learn who her mother is, she’ll also learn lessons about herself. If she can stay alive, that is…

Pieces of Her is the latest stand alone thriller by Karin Slaughter. I absolutely loved The Good Daughter and so I have been really keen to read this, snapping up the rather lovely hardback to supplement my review ebook copy. Once more we have a novel that puts a family under scrutiny – the crime or mystery at the heart of the book secondary to its portrayal of a family divided by secrets and shocked into action by sudden violence and trauma. The premise of Pieces of Her is compelling.

The narrative is divided between the present day adventure of Andy’s cat and mouse chase across much of the United States and another story set in 1986. I’m not going to say anything about that but it is in these sections that the truth can be found. I’m not sure that there are any surprises here in what happens but it’s certainly compelling and the pages fly through the fingers. I love books divided in this way.

I really enjoy Karin Slaughter’s writing. Her depictions of these small towns in America, the great distances between them, and the people met along the way, are all done so well. My one issue with the novel was with the character of Andy. I know that she’s trying to find her own voice, to establish her independence, essentially to grow up, but you can see why she annoys one character in particular. She certainly irritated me with her unfinished sentences, her laboured thinking – sometimes it’s as if she has lightbulbs pinging above her head – and her fumbling around. Andy feels very young for her 31 years. I realise that this is all purposefully done, Andy is supposed to be like this, but it does make her a pain to be around. Laura is a much more interesting person to spend time with. She too has her agonising moments of indecision but there’s a good reason for it in her case. I did enjoy the psychology behind Laura’s personality, as opposed to Andy who was just irritating. I also had some issues with a male character who keeps popping up in Andy’s storyline.

Pieces of Her is a substantial novel at over 450 pages but it is such a fast and furious read. I found it very difficult to put down and read huge chunks in one go. I think Karin Slaughter is a fascinating writer. I love her portrayals of (most) people and places, her understanding of both. It all seems very real and it’s engrossing.

Other review
The Good Daughter

The Hunger by Alma Katsu

Bantam Press | 2018 (5 April) | 400p | Review copy | Buy the book

The Hunger by Alma KatsuIt is the summer of 1846 and a wagon train of pioneers, led by George Donner and James Reed, has left it late to cross the Sierra mountains on their way to the promised lands of California. After weeks of crossing hot and dusty prairie, they must make a decision but may well be perilous. They can either take a well-documented and trusted path or they can take the Hastings Cutoff, a route believed to be shorter. Donner makes the decision and it is one that will have devastating consequences for this wagon train of men, women and children – lots of children. The winter of 1846 and 1847 brings hell on earth to the Donner Party.

As the weather closes in and the terrain gets too tough for these heavily laden wagons, tempers fray but that’s the least of their problems. There isn’t enough food to get them through the winter, there are frightening rumours about fierce Indians stalking them from the hills, and then members of the group begin to disappear. Now and again they find what’s left of them. People have different ideas about the best way to survive. It’s clear not all of them will make it. And some of them can hear things from the forest. They know they are being watched.

The Hunger by Alma Katsu is a fine meld of historical fiction and horror. It’s based on a true story that lends itself so well to both (see also my review of October Skies by Alex Scarrow). The Donner Party did indeed get trapped by the weather and mountains and many of them died in circumstances that horrified society – how far did these poor souls go to survive? Alma Katsu delves deeper and she presents a tale as gripping as it is utterly horrifying. This is a novel that made me want to sleep with the lights on.

What makes this novel stand out for me, though, isn’t the horror (although it is delicious), it’s the depiction of the wide range of people that made up this wagon train. Probably close to a hundred in number, we’re made familiar with a fair few of them and for some we’re given tasters of their previous history – we’re given flashbacks of a time when life was normal and this trip to California seemed so exciting and worthwhile. I particularly loved the portraits of the women, most of whom had no say in the decision to travel west and some of them barely knew their husbands. Some women, or girls I should say, married along the way, regardless of their own desires. The wives and daughters are chattels, every bit as much as the cattle they drive across the plains. If any women do make a stand then they are viewed with suspicion as having loose morals, perhaps even witches. Tamsen Donner is presented as one such woman. But there are other girls and women here who also grab our attention – there are so many. I loved reading about them.

It’s the men who have destiny in their hands – or so they believe – and so we also meet some of them. Stanton is arguably our main character, a young man yet to marry due to tragic circumstances. He’s not alone in being haunted by the past. Stanton is torn between fighting to survive by going off alone or staying with the group to protect the women and children. I did like the character of James Reeve especially and some of the finest writing is preserved for his fate. If I have any complaint at all it is perhaps that there are too many characters here to follow. I don’t have the best of memories and so I had to keep flicking through the pages to remember who was who. But this is such a minor point because each of the characters is drawn so well. And then there are the monsters…. You must discover those for yourself.

The Hunger is a beautifully written novel. It conjures up the plains, mountains and forest of this seemingly endless and perilous journey. We experience the heat and then the cold, the effort to remain clean, the hunger and thirst, the dust, the chill. It’s all described so well, and so too are the reactions of the pioneers to their surroundings. They fear it. Everything is an obstacle to where they want to be. And I loved hearing about all of the different reasons for this tremendous journey.

This is, I’m pleased to say as this is a horror novel after all, a frightening story and it’s told so well. It’s rich in historical detail and vivid in its horror. I found The Hunger extremely hard to put down. It’s one of those books where you think that you’ll read just one more chapter but end up reading half the book. The shifting between characters and the movement from the present to the past and back again in flashbacks, as well as the insertion of letters, is done very effectively. This is an accomplished, confident and memorable novel. I read most of it very late at night by low lamplight. I can recommend that.

Other feature
‘History and The Hunger’ – guest post by Alma Katsu, author of The Hunger

‘History and The Hunger’ – guest post by Alma Katsu, author of The Hunger

This week, G.P. Putnam’s Sons publishes the US edition of The Hunger by Alma Katsu. While I’m looking forward to posting a review of the novel for its publication in the UK in early April, I’m delighted to join in the celebrations for the American publication with a guest post by Alma Katsu on the historical background and inspiration for this remarkable and terrifying tale of the Donner Party, based on a true story.

But first a bit of what the novel is about:

Evil is invisible, and it is everywhere.

Tamsen Donner must be a witch. That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the pioneers to the brink of madness. They cannot escape the feeling that someone–or something–is stalking them. Whether it was a curse from the beautiful Tamsen, the choice to follow a disastrous experimental route West, or just plain bad luck–the 90 men, women, and children of the Donner Party are at the brink of one of the deadliest and most disastrous western adventures in American history.

While the ill-fated group struggles to survive in the treacherous mountain conditions–searing heat that turns the sand into bubbling stew; snows that freeze the oxen where they stand–evil begins to grow around them, and within them. As members of the party begin to disappear, they must ask themselves “What if there is something waiting in the mountains? Something disturbing and diseased…and very hungry?”

‘History and The Hunger‘ by Alma Katsu

I love writing historical fiction. Marrying fact and fiction makes for something especially pleasing to read, I think, something that melds the familiar and comforting to the spicy and unknown.

There’s a challenge there, though. It’s difficult to know how familiar your readers are with the historical event in question. You don’t want to bore readers by telling them what they already know, but you don’t want to assume too much and risk frustrating the reader.

When I first started working on THE HUNGER, I wasn’t sure how much was generally known about the Donner Party. These are the basic facts: two families, the Donners and the Reeds, set out from Springfield, Illinois on April 15, 1846, heading to Independence, Missouri, the “jumping off” point for the trip west. They travel with a much larger party until the split in the trail known as the “parting of the ways” where the Donners and Reeds opt to take the new Hastings Cut-off that promises to shave 300 miles off the trip. They have no way of knowing that the cut-off is little more than a notion in the mind of Lansford Hastings, or that Hastings is a bit of a charlatan, trying to lure settlers to California in order to wrestle the territory away from Mexico.

The Donner Party decides to try their luck. They would not have made this choice if they knew there are over a thousand inhospitable miles ahead. They know the mountain passes will close off once the snow starts, and snow comes early at the higher elevations.

Which is how they come to find themselves stranded on the wrong side of the mountain pass when the snow starts falling and refuses to stop. They try to make it up to the pass but are immobilized. Snow is piled over their heads, over the roofs of their makeshift cabins. They have almost no supplies. Only a few head of livestock survived the punishing trip. There will be no escape until the spring thaw but no one knows when that will be.

There were 90 pioneers at Truckee Lake and Alder Creek when the snow started falling; only 50 will survive.

But there’s a bigger historical context that I tried to capture in The Hunger. In many ways, the story of those pioneers is the story of America. The Donner Party’s story is one of immigrants, of people looking for a better life. But it’s also the story of America’s restless expansionist spirit, the country’s willingness to leave homes and kin, uproot themselves, load their possessions into a wagon, and head into the unknown. Americans had been migrating to the west since the Louisiana Purchase in 1803, but travel to California was not yet at the epic levels of the Gold Rush and the West was largely uncharted territory. Today, we can only marvel at their confidence, traveling under these conditions with babies and children, the elderly and the sick. They let nothing stop them: some were in poor health, others traveled without wagon or oxen. Some had nothing more than a mule, a few even expected to make the two thousand-mile journey completely on foot.

Americans made the perilous journey because they believed in Manifest Destiny, the idea that Americans were an exceptional people who were ordained by God to occupy the territory clear to the Pacific Ocean. By settling the West, Americans felt they were fulfilling a long-promised destiny. But it’s not as though this territory was free for the taking. That’s the darker side of America’s expansionist aspirations. Texas’ war for independence emboldened some Americans to think that California, too, could be prized away from Mexico. This was the real reason Lansford Hastings zealously promoted his cut-off: to lure more American settlers to the Mexican-owned territory and, eventually, force America to defend the interests of its citizens. And the darkness doesn’t stop there: trails cut through the middle of Indian Territory. You can’t discuss the Westward Migration without looking at the devastating effect it had on the Native American tribes residing in the Indian Territory. And lastly, it’s also the story of religious freedom. Mormons were starting to look West to build a community after violence had driven them out of Missouri and Illinois.

The Hunger is meant to be a cautionary tale. There are reasons nearly half the wagon party died, lessons we shouldn’t ignore. Some aspects were outside their control—the horrendous weather that winter, for one—but the group let themselves be divided by pettiness and class differences. They let themselves be fooled by businessmen who valued personal profit over human lives. They selected the wrong man to be their leader and refused to listen to the people among them who knew better. They paid for their hubris, yes, but you only need to look around to realize that things haven’t changed that much today, 170 years later.

And this is the true lesson of the Donner Party.

US edition by G.P. Putnam’s Sons (published 6 March)
UK edition by Bantam Press (published 5 April)

Alma Katsu: Before she started writing novels, Alma Katsu was both a music journalist and an analyst for the likes of CIA and RAND. She has pounded the halls of the Pentagon, been in the West Wing of the White House, and interviewed rock stars. Her novels—The Taker, The Reckoning, and The Descent (which, oddly enough, have nothing to do with music or national security)—have been published in more than a dozen languages.

Cradle by James Jackson

Zaffre | 2017 (2 November) | c.350p | Review copy | Buy the book

Cradle by James JacksonIt is 1608 and England’s first colony in the Americas is dying a little more every day. Jamestown in Virginia might be named after James I but the king has no interest in it thriving – quite the contrary. Both James and Philip, the King of Spain, view Jamestown as a threat to their hard-won peace. It’s in the interests of both that it should fail and they each have agents willing to travel all of those miles to ensure its calamitous failure. But King James’s son Henry has other plans. He is determined that Jamestown should survive, that the power of England and the influence of Protestantism should spread and prosper to the New World. What Henry needs is a man on the ground to ensure Jamestown’s continued existence – he sends Christian Hardy, a spy so lethal and dangerous that not even King James and his spymaster Robert Cecil, Hardy’s employer, can bare him to live another day.

We were first introduced to Christian Hardy in Treason, a novel that told the tale of the Gunpowder Plot and the efforts of Hardy to prevent it and of Realm, the monstrous and demonic Spanish spy, to bring it about. Both Hardy and Realm return in Cradle, their enmity as livid as ever, and they carry their blood feud to Jamestown and the Americas.

But while Hardy and Realm continue their fight, Jamestown is faced by other threats – most especially the local warring tribes of native Americans. But there is also disease and famine to face, as well as loneliness and despair. It’s all very grim indeed and, at times, it is very bloody and gruesome.

The story of Cradle has a habit of jumping forward, giving it a rather disjointed feel (for instance, a man is languishing in prison and in the next chapter he’s been restored to his liberty). This is supported by its constant movement between the settlement and the surrounding native American villages. I found the style hard to settle down into but my main issue with the novel is with its incessant violence and conflict. I realise that this is the purpose of the novel but we jump from one conflict to another, one death to another, while characters are given little time to develop. Which is a pity because I think, given the chance, I would rather like Christian Hardy.

There’s something too despicable about Realm, though, and this horror is backed up by the gruesome cruelty of the tribes. In some chapters we’re given a positive image of the local people, particularly through their women, but this is counteracted by the portrayal of predominantly cruel behaviour. I didn’t enjoy this. Some of them are turned into caricature baddies. Not that the men in Jamestown are much better. It’s all a bit unpleasant. Which is a shame, because the setting of the novel is wonderfully described. I love the frontier feel of the novel, the dangerous isolation of the settlement and the vulnerability of its inhabitants. There is almost a siege-feel to much of the novel, which can be very exciting to read.

It’s possible that I have issues with Cradle because its focus is more on violence and conflict than on character and history. It didn’t feel sufficiently set in its time for me. However, it’s certainly exciting and tense and so, if you like an action-packed historical thriller then this might well be for you.

Other review
Treason

All the Wicked Girls by Chris Whitaker

Zaffre | 2017 (24 August) | 448p | Review copy | Buy the book

All the Wicked Girls by Chris WhitakerThe small town of Grace in Alabama is in trouble. Isolated in many ways from the surrounding world, it is now even separated by its weather. A wall of cloud and looming storm hangs around and over this town. Several of its inhabitants drive out each day beyond the wall, just so that they can feel the warmth and brightness of sun on their skin and faces, and be reminded what normal is like.

Summer and Raine Ryan are sisters and their names reveal how different these teenage girls are from one another. Summer, though, the one who is easy to know and like, is missing and the disappearance reminds the town and its sheriff, Chief Black, of the case of the missing Briar girls. Presumed murdered, these girls continue to haunt the town. They are its curse and surely the worst thing that could happen to Grace is that the murderer has returned to continue his work. Everyone wants Summer found alive, especially her sister Raine and Raine’s friends Noah and Purv.

Beyond this, I’ll say no more about the plot because All the Wicked Girls is quite simply a work of genius. And that’s no exaggeration. Its story is astonishing and complex and it is driven as much by heart as it is by puzzles and surprises. Tall Oaks, Chris Whitaker’s previous novel, is one of my favourite novels of recent years but, incredible as it seems, All the Wicked Girls leaves it behind.

The central mystery is brilliantly told from a range of perspectives, including Summer’s own, and it moves back and forth through the weeks leading up to Summer’s disappearance. We hear from several of the people who influenced Summer’s life and were so deeply affected by this wonderful girl. We’re soon aware that not everything is as it seems but how we learn this, and what we learn, is beautifully told.

Chris Whitaker writes superbly. As with Tall Oaks, I marvel at how this British author captures the mood and sound of an American small town. It’s not overdone. It feels completely natural and each of these characters has his or her own distinctive voice.

But what drives All the Wicked Girls beyond its wonderful plot and its fantastically atmospheric sense of place, is its people. In Tall Oaks I fell for Manny (like everyone else!) but in All the Wicked Girls we have Noah and Purv and it’s fair to say that I can think of no other characters in recent years that I have fallen for quite as hard as this. Their individual personalities and their friendship come alive in an astonishing way, and this is as due to Chris Whitaker’s stunning and often understated use of language as it is his empathy for young people. This is clever writing. We hear a phrase and it’s only later that we learn the full significance of its meaning and it hits us like a fist. I loved Summer and Raine too (how could I not?) but Purv and Noah made me laugh and cry time after time. Just thinking about Noah, his courage, wisdom, kindness and deep heart, makes me want to weep.

This is a novel that takes us into some very dark places. The melancholy of Grace goes far deeper than the storm that hovers over it. It is disturbing at times, there is no doubt of that, but it is also filled with a humanity despite its subject and I was held spellbound. There are so many reasons to read All the Wicked Girls but if I had to give you just one – well, two reasons – it would be to read it for Noah and Purv. I don’t think I’ll ever forget them.

Other review
Tall Oaks