HarperCollins | 2017 (21 September) | 303p | Bought copy | Buy the book
Last Sunday the second series of the ITV historical drama Victoria finished and I was left bereft. So when I saw the handsome companion volume in the shops yesterday I snapped it up and it’s fair to say that I’ve spent much of last night and today completely immersed in it. Not just because it brought back all those lovely feelings you get when watching a drama series that you love but also because it made me do my homework. I know a little bit about Queen Victoria but Victoria and Albert presented me with so much that I wanted to learn more about. And so I did get distracted. In the best of ways. Looking up original photos, old paintings, contemporary accounts, Victorian recipes, exhibition catalogues, dress illustrations, political tracts and so much more. Victoria and Albert: A Royal Love Affair felt like a beautiful, glamorous gateway.
Daisy Goodwin, of course, is the author behind the screenplay of the TV series and in the book she gets the chance to explain exactly where she veered from historical fact. The series does this quite a bit and so I appreciated the chance to see the events of the series and its people put in their true context and order. The book doesn’t delve too deeply. It isn’t that kind of book. It’s more of a general guide to the people and themes of the series, presented in short, beautifully-presented and fully-illustrated sections, accompanied by quotes from contemporary sources, such as Victoria and Albert’s letters and journals, and snippets from the TV series.
So we’re given short sections on such things as travel, the churching ceremony after childbirth, corsets, sex, Ira Aldridge (the African-American actor), inventions, Ada Lovelace, the Corn Laws, the Irish Famine, pets, royal nicknames, and so much more, as well as sections on each of the key figures who feature in the drama. There are also regular panels which go behind the scenes of the series, looking at makeup, costume, food, child actors and so on. All lavishly accompanied by illustrations – photos from the series as well as contemporary photographs, paintings and newspaper pages. There is so much to look at!
The book focuses on 1840-1846, the years covered by series 2 of Victoria. It does merely touch on some of its themes – you can hardly adequately cover such topics as the Irish Famine in a page – but it certainly does enough to spark further interest and investigation. There were some subjects I would have liked the book to tackle more, particularly the royal children and the household servants. I would have loved to have known more about the butler, for instance.
If you enjoyed the Victoria series, then I think you might well like this stunning hardback. It doesn’t replace detailed studies of Victoria’s early reign but it most definitely illuminates some of the period’s themes for the more general reader. I’ve now ordered the other companion volume, The Victoria Letters by Helen Rappaport, and will be looking at biographies. I’m hooked. This book has also re-awoken in me an interest in historical non-fiction which I thought I’d put to bed some time ago. It turns out I was wrong. Thank heavens.