Piatkus | 2017 (5 December) | 419p | Review copy | Buy the book
When Ross MacLeod shoots a pheasant dead and its body falls to the ground in the centre of an ancient stone circle in Dumfries in Scotland, he has no way of knowing that he has sealed the fate of not just himself but of billions of people around the world. He and his brother and cousin are with their wives in a farmhouse miles from their homes in New York City, celebrating the New Year in fine and traditional fashion. But when Ross and Angie fly home to the States they carry with them an illness that the world will soon know as the Doom. It is merciless in its greed and ferocity.
But not everybody dies. As the world collapses around them, a few live on and they are helped in their survival by new and strange abilities. Some when they touch another person can sense their future, some can fly, some can move objects, some can create power and light. But there are others who have the power of darkness. Magic has returned to the land and with it hope but also danger.
Year One is a bewitching novel in so many ways. On one level it is a very good apocalyptic tale and, even though it is caused by disease, as one character declares, this is no zombie apocalypse. Phew! The chapters that describe the world’s descent into this chaos of death and fear are superb. It’s not only engrossing, it’s also emotional. We meet a great many characters in this novel and all of them have a tale of tragedy to tell. Surviving an apocalypse is as hard as succumbing to it.
There is a strong magic element and I thought that this might be a hurdle I couldn’t overcome. I’m not a reader of fantasy and I particularly don’t read novels about magic, fairies and elves. But it’s integrated so well into what feels like reality that I found myself accepting every word of it. The magic doesn’t take over and generally it feels like another symptom of the disease and not otherworldly. Nevertheless there is something unworldly here but I loved how it’s done. It’s also fascinating to listen in to the discussions on how this came about. While one person might argue that the rest of the population were wiped out as a kind of cleansing and these new superhuman beings were born as a result, another believes that these new superhuman beings have been created as a source of hope for the continued survival of humanity. This element of hope is such a critical part of the mood of Year One. There is a sense that mankind is inherently good while it is clear that a few human beings are wrapped in sin.
I love the cast of Year One. We follow several small groups of people as they make their way to a safe place in the United States. The journeys are arduous, harrowing and packed with adventure. They’re so compelling. You have to keep your wits about you to remember who is in which group but so many of these people are three-dimensional with an interesting tale to tell. And the relationships between them are enthralling and moving.
Year One is the first novel in a new series – Chronicles of the One – and this did lead to my one issue with the novel. The ending, without giving anything away, wasn’t entirely satisfactory due to the number of loose ends that are left untied, the people that we leave in the lurch, as the focus narrows to follow just one person. I’m hoping that the answers will be provided in the next novel in the series. I’m so desperate to know.
But, above all else, Year One is an engrossing and original apocalyptic vision that takes an intriguing look into the future of a new form of humanity. I haven’t read any Nora Roberts’ novels before and I understand that this one is a little different from her usual fare. It certainly has me hooked.