Constable | 2020 (4 June) | 384p | Review copy | Buy the book
Somebody is going around chopping off the fingers of men and women and leaving them in the most inappropriate places across Cumbria. Analysis shows that each victim, none yet found, has lost two fingers, one taken off before death and the other afterwards. Some fingers show signs of anaesthesia, others don’t. It’s a disturbing case, not just because it means that there are at least three murdered people to discover, but also because the crime seems inexplicable. DI Stephanie Flynn of the National Crime Agency is called in to investigate, along with her team of DS Washington Poe and analyst Tilly Bradshaw. As they begin to unravel a complex and baffling case, they get a call from an FBI agent in the US who warns them that they are dealing with a deadly killer, the Curator.
The Curator is the third novel in the brilliant Washington Poe series (aka the Poe and Tilly series). The book stands alone very well and so you don’t need to have read the others – The Puppet Show and Black Summer – but you really should anyway! Like so many other people, I adore Poe, Tilly and Flynn. The relationship between loner Poe (and Edgar his dog) and the socially-challenged and utterly adorable Tilly is one of the most irresistible in crime fiction. I couldn’t wait to read The Curator and spend time with them again. It came as no surprise to me that it is every bit as wonderful as the previous two books.
While Poe and Tilly are undoubtedly the main draw in this series – you must meet them if you haven’t already – they’re not the only one. The Cumbrian landscape is beautifully portrayed. The Curator is set in winter. The countryside and coast are stunning, impossible to leave for most people in the book, while they are also harsh and even dangerous. M.W. Craven writes so well and not just in creating fabulous characters. You can feel the cold and isolation in these pages and also the glory of it.
The Curator tells a very clever story. The premise is macabre and fascinating and the plot is intricate and complex. Poe and Tilly are the perfect team and it takes all of their combined skills to tackle this killer. There are moments of true horror in the book. There are difficult moments for Poe and Tilly, especially Poe, and there are some dark times when I could hardly bear to look. It’s traumatic, it’s compelling and it’s immersive. It’s also warm and gently humorous at times. We’re under no illusion of how far Poe will go to protect those he cares for. That’s more apparent than ever in The Curator but, as always, there is Tilly who keeps Poe grounded by caring for him in a way that Poe is now comfortable with. I have always had a soft spot for Flynn, perhaps even more so now. This is such a fantastic series. I cannot wait for the next.
PS, I particularly love the cover of this one.