Riverrun | 2018 (6 September) | 468p | Review copy | Buy the book
It is 1855 and Hiram Carver, doctor to the insane in Charleston near Boston in Massachusetts, is putting to paper his thoughts concerning ‘the dark water, or submerged aspect of the human mind’, reflecting on those pivotal moments in his life and career when he served as assistant surgeon aboard the Orbis in 1833. In that brutal environment, so far from home and safety, Carver met William Borden, a man loved by everyone and known to all as ‘The Hero of the Providence‘.
The Providence was an unhappy ship, its crew torn apart by mutiny. Borden put a small number, including the captain, aboard a dinghy and he sailed them to land after a terrible journey of several months. This experience has left its mark. Back in Boston some time after his experiences aboard the Orbis, Dr Carver receives a new patient in his asylum – William Borden. Madness has pursued him but Carver is determined to cure him. And the only way he can do that is to make them both understand what happened on the Providence, to go back to the dark water that continues to haunt both Borden and Carver.
Dark Water is a novel I’ll remember for a long time. I love novels about the sea, especially when they’re tinged with the hint of mystery, of the unknown, and this novel swept me off my feet. It is beautifully elegiac, telling a Gothic story that also feels so grounded in 19th-century Boston, before the events of the American Civil War. The sea and the land – namely Boston, Charlestown and the island of Nantucket – play equal parts and they’re both evocatively depicted, although it’s at sea, the sea that laps up against the coast of Massachusetts and is always inescapable, where the true mystery lies.
Above all else this is the story of Hiram Carver, told in his own words. Carver hates the sea, it hates him. He feels most at home in his office in the asylum for the insane observing patients who are most surely at sea, kept apart from their families and loved ones, from reality. These are Carver’s memoirs and in them we find the Hero, the enigmatic William Borden, Carver’s addiction, but there are others equally memorable – Carver’s sister Caro, Borden’s fiancee Ruth, Carver’s boss and mentor at the hospital, Dr Mansfield, and so many others and they all leave their mark, perhaps more than anywhere on the island of Nantucket.
Watching Hiram Carver’s personality change so severely for the worse through the years is compelling and here is the quiet, moody drama of Dark Water. What happened to Barden is a great mystery to Carver but for us it holds fewer surprises. Instead, I was riveted by this most elegant tale of lost human lives, that fragile line between sanity and madness, and the hopelessness of love. It is melancholic and cruel in places but there’s such a beauty to it. Images and themes are pursued through the novel, especially the act of eating and starving – it’s cleverly done. I also really enjoyed the extracts from the court case that prosecuted the mutineers. It’s such a riveting story.
Dark Water is a relatively lengthy novel and every page of it is a pleasure. It’s extremely hard to put down. Elizabeth Lowry is such a fine writer, she pulls you into the book and there’s no chance of release until the end. There is so much to it. A tale of seafaring disaster, madness, impossible love and loneliness set against the backdrop of 19th-century Boston, Nantucket and the vast blue expanse of the ocean. Irresistible.