HQ | 2018 (ebook: 21 August; Hb: 23 August) | 336p | Review copy | Buy the book
It’s one thing knowing that you’re not able to speak more than 100 words in a day without a severe punishing electric shock, but it’s another thing entirely knowing that your young daughter is also not allowed to speak, just at the time when she should be enjoying the discovery of new words every single day and shouting them out loud to her parents and brothers – brothers who are allowed to say just what they like and are growing used to a world in which women have no rights at all. Jean McClellan will do anything to fight for her daughter’s future, to fight against her silence.
I love the premise of Vox – a dystopia set in America during the very near future in which an extreme rightwing president has decided to end the rights of women. The ‘bracelets’ that women wear to limit their words to 100 a day are just the most visible sign of their oppression but it is making itself increasingly known in every area of life. Jean used to be Dr McClellan, a leading linguistic scientist in the fight against aphasia, a brain condition that – rather ironically – leaves the victim speechless. Now Jean is her husband’s chattel. But she is given a way out due to her background and she won’t be going back again.
Vox is told in the first person, present tense by Jean, and this is undoubtedly part of what gives the story its impact – Jean’s fury and frustration, contrasting with her tender love for her children, especially her daughter, make it all seem horrifyingly real, even possible. It also gives us a heroine we can get behind. Jean also tells us about other silenced women she has known, as well as the men, including her own husband, and what they are doing about it – if anything at all.
I became hugely fired up reading Vox! It made me rant! The injustice and indignity of it all. The first half of the book particularly appealed to me as this new fascist America is revealed (so far the rest of the world is safe) and we witness its impact on the daily lives of men and women. It’s fascinating, even without the parallels that one inevitably draws to the anti-Jewish laws of Nazi Germany. I was engrossed.
The second half of the novel was less successful for me because in these chapters we moved into the lab, science takes over, and the scope of the story narrows. I love science in my science fiction but I think that the main strength of Vox is speculative, in the society it portrays and in the voices that have been silenced, a really enjoyable element of the first half of the book. Although one does have to wonder how plausible it is that 50% of the American population were silenced so easily and quickly.
You can read and enjoy Vox as pure entertainment, and it certainly is entertaining, but it also serves as a timely non-preachy reminder that we must stay alert.