Zaffre | 2018 (25 January) | 384p | Review copy | Buy the book
It is the summer of 1939 and, although nobody leaves home without their gas mask, England is carrying on as normal. A more immediate threat comes from the IRA which has begun a bombing terror campaign. But events in Europe cannot be ignored indefinitely and world powers – especially America, Germany and Britain – are well aware that in the war that is to come the atom bomb, if such a thing can be created, will be critical for victory. Cambridge’s Cavendish Laboratory in England has been a centre for scientific discovery and innovation and it is close to a breakthrough. America knows this and so too does Germany. When one of its scientists is murdered and another one disappears, Tom Wilde (a Cambridge professor but an American citizen) becomes caught up in the investigations.
Tom has been instructed by the American government to spy on the inhabitants of a local grand house, Hawksmere Old Hall, including a scientist (and an old friend of Tom’s) Geoff Lancing and Geoff’s sister Clarissa, one of Hollywood’s most beautiful and famous film actresses. Meanwhile Tom’s love Lydia has gone into the lion’s den itself – Berlin. A German Jewish scientist and his family has been smuggled out of Germany but a child has been stolen, presumably for blackmail to make the scientist return. Lydia is determined to find him. But this is a conspiracy that stretches across continents and oceans and both Lydia and Tom are soon out of their depth. As Europe hurtles ever closer to war, the stakes couldn’t be higher, the danger to Tom and Lydia more certain.
Nucleus follows on from Corpus, the first novel to feature Tom Wilde. Before this, author Rory Clements was better known for his Elizabethan spy series but Corpus and now Nucleus demonstrate that he is a master of the spy novel whatever the period in which it’s set. Pleasingly, Tom Wilde is a professor of history, especially of the Elizabethan spymaster Walsingham and I love the way in which these two periods of history 350 years apart are shown to share similarities. Tom has his own spymaster to deal with as well as serious issues of who he can trust – it’s difficult to see the truth when you can only glimpse a small part of the bigger picture.
The plotting is superb and deliciously intricate. You do need to keep your wits about you and keep alert and the rewards are enormous. I was thoroughly immersed in the plot and caught up in the tension. The scenes in Germany are especially intense and I found them terrifying. There is one moment in this novel when I actually gasped and had to put the book down. I even flicked through a few pages to find resolution, I couldn’t deal with what I’d ‘heard’.
I love the portrayal of England during 1939. The Old House is a symbol of decadence and the old way of living, one that will shortly be made irrelevant. Lydia is arguably the most appealing and interesting of all of the characters in the novel. It’s good to read a spy novel in which women play an equal role, although if you’re after glamour you’ll certainly find it in Clarissa.
Rory Clements has created two fine characters with Tom and Lydia and he deploys them with cleverness and skill. There’s an air of intellectualism about these novels – as there would be with a professor for the central character – but there are no ivory towers here. The world is waking up to a second world war and Tom will have to get his hands dirty. I loved Corpus. Published in January 2017, it opened up the year’s reading in fine fashion and Nucleus has done exactly the same in 2018. With no doubt at all, this is one of the best historical and spy series being written today. I can’t wait for more.