Gollancz | 2017 (7 November) | 432p | Review copy | Buy the book
In four novellas, loosely linked by the weather, Joe Hill presents a chilling portrait of present-day American society. The effects of global warming are more and more apparent with almost each passing day but this is a little too obvious for Joe Hill to focus upon. After all, to any sane person this should be taken as read, and in fact weather plays less of a role in these stories than the title of the collection suggests, with the clear exception of Rain. Instead, Hill takes us inside our nightmares, to a place that’s almost real. The things that take place there are most certainly real – illness, gun violence, grief, prejudice, fear. Some stories contain more elements of horror than others but they’re all disturbing.
In Snapshot a young boy takes on a stranger in town, the Phoenician, who uses his polaroid camera to steal memories. This was for me the most harrowing of all four stories and it actually upset me a fair bit. Loss of memory is a terrible thing and Joe Hill portrays the pain of this exquisitely. I loved young Michael. His kindness is so touching and something of an antidote to some of the other characters that we encounter through this collection.
Loaded was inspired by ‘the massacre of twenty children in Newtown, Connecticut. Loaded was my attempt to make sense out of our nation hard-on for The Gun’. It focuses on a mass killing in a shopping centre while the town is threatened by a deadly forest fire. It shows what happens when the bigoted, the ignorant and the aggrieved can get their hands on a gun. The fallout is extraordinary and not quite what you’d expect. I had some issues with the way that this story develops. It’s powerful stuff but its ending was troubling for me. This is the longest story in the collection and also the oldest.
Aloft is another kettle of fish entirely and lifts us out of reality. Aubrey is about to do a parachute jump. The thought alone terrifies him but he’s doing it with friends as a tribute to someone they loved who died young. He also wants to impress Harriet. But when he makes his jump something happens and instead of floating to Earth Aubrey lands on a cloud. And on that cloud what you want may come to pass. I’m not a fantasy reader and so I did struggle with Aloft, which is my fault, not the story’s.
My favourite of the four is Rain, an apocalyptic tale of rain that falls as lethal crystal needles. Thousands are killed, law and society break down. Honeysuckle loses Yolanda, the girl that she loves and her grief compels her to make a hazardous journey to let Yolanda’s father know that his wife and daughter are dead. There are horrors along the way as you can imagine. But there are also bright spots, especially with Hill’s depiction of the young boy that Honeysuckle babysits. Joe Hill says in his afterword that ‘Rain arose from a desire to spoof myself and my own sprawling end-of-the-world novel The Fireman. I’m a big believer in making fun of yourself before anyone else can’.
While I found the stories mixed in their appeal, each shares in common a very important factor – the fine characterisation. It’s impossible not to feel involved with these people’s lives. Some are vulnerable and powerless, prejudiced against, but many make a stand and do the right thing. There are pleasing little digs at certain American presidents, comments on the state of society, especially in regard to its gun laws and tolerance (or lack of), but it’s the characters that give these stories life and there are a few moments that I won’t forget in a hurry.