Angry Robot | 2017 (3 August) | 384p | Review copy and bought copy | Buy the book
Within the world lies a very strange city indeed, concealed by a dome. Almost half of it is called Dayzone, where endless bright lamps reproduce hot sunlight for every hour of the day. Connected to it by train is its opposite – the endless night of Nocturna. But, to travel between the two, the train must pass through an area of fog and permanent gloom called Dusk and therein lives the unexplained and the terrifying. As if all of this weren’t strange enough, the whole city has turned its back on the linear time of the outside world. Hundreds, if not thousands, of timelines co-exist, many available to be bought, and they mean that the inhabitants of Dayzone and Nocturna move from timeline to timeline, often obsessed with their watches and clocks. Never has the question ‘what’s the time?’ seemed so vital and yet also such a waste of time.
Moving between the timelines is a feared killer called Quicksilver, managing to commit murder in broad faked daylight, sometimes in front of an unsuspecting audience. Private detective John Nyquist has taken on the case of a runaway wealthy young woman Eleanor but he’s soon sure that there are links with Quicksilver. His pursuit of Eleanor takes him not only across Dayzone and Nocturna but also into the place he dreads the most, Dusk, and even to the very edges of his sanity. And all the time, all of the times, he has that feeling that he’s being watched and judged.
A Man of Shadows is a quite extraordinary novel. Its world building is absolutely fantastic – intricate, complex, moody and disturbingly real. The movement between timelines means that John Nyquist rarely sleeps and you can strongly sense his extreme fatigue as the hours pass. People who become too time-obsessed almost literally lose their minds and you know that Nyquist is well on the way to this state. It gives his task an extra urgency and desperation.
Dayzone and Nocturna are brilliantly visualised and would have been sufficiently impressive on their own but the skill of Jeff Noon astounds even further with his treatment of time. I found myself wondering why anybody would chose to live such an existence, what its appeal might be. Many of the inhabitants of this city have almost a euphoria about them as they defy the restrictions of a conventional life but others are clearly damaged by it. This is a book that makes you think as you read it. It is extremely clever.
We never see the world beyond the city, although occasionally characters are nostalgic for a sight of the real sun or the real stars. The city itself has a 1950s’ feel to it, just as the mystery element of the novel is detective noir. Now and again we’re given extracts from guidebooks which tell us a little of the background to Dayzone, Nocturna and Dusk, but generally we experience it all through the increasingly fraught mind of John Nyquist. This can be claustrophobic at times and there is also chaos and confusion. It is certainly atmospheric.
In the final third of the novel, the mystery inevitably takes us into Dusk, and what a frightening place this is. I must admit that I did become a little lost during this section as it becomes increasingly surreal and fantastical. Throw in some mind bending drugs and you get an idea of the state of Nyquist’s mind during this phase of his hunt. It’s hugely disturbing. Personally, and this is probably because I’m more of a science fiction reader than a fantasy reader, I enjoyed more the majority of the novel which portrays so brilliantly life in a world of endless day or endless night, in which time is a force to be controlled, manipulated and even sold. And all the time, outside the city lies the ‘real’ world, out of reach in so many ways to a man such as John Nyquist.
I was completely absorbed by A Man of Shadows and deeply impressed by the skill and imagination of this author. This is the first novel I’ve read by Jeff Noon and I’m not sure why that is – there are such big ideas here that provide an unusual and quirky perspective on our own lives. I love a book that makes me think while also entertaining me and A Man of Shadows does just that.
I love the cover – it really contributes to the mood of 1940s’ and 1950s’ detective noir in an extraordinary environment.