HarperCollins | 2017 (29 June) | 464p | Review copy | Buy the book
Jane Hawk used to be a well-respected FBI agent and investigator. She also had a happy marriage to Nick, a full colonel in the army at only 32 years old, with whom she had Travis, a happy 5-year-old child who is already a vision of his father. But then Nick killed himself, completely unexpectedly, during the course of an ordinary, peaceful evening. His note ‘I very much need to be dead’ left far more questions than answers and so, reeling from guilt and confusion, Jane sets out to find out what it was that drove her husband to a death he greeted with open arms.
Jane discovers that the suicide rate among successful and seemingly happy and high-achieving individuals is on the increase and those who did leave notes, and not many did, left notes even stranger than Nick’s. As Jane investigates the connection between these men and women and their deaths, she discovers a conspiracy that strikes at the very heart of the American establishment and she uncovers something remarkable and utterly deadly. Jane is a hunted woman. Those she seeks will stop at nothing to destroy her and her young son. And there is nothing they can’t do. It will take all of Jane’s ingenuity and experience as a gifted FBI agent to conceal her trail while seeking out the truth. Every day she plans as if it will be her last.
In The Silent Corner, Dean Koontz introduces us to a new series of thrillers, this time featuring Jane Hawk. While this means that not all of our questions about Jane herself are answered in this opening novel, we are still presented with a standalone investigation and cat and mouse hunt that obsesses Jane through these pages. There is no let up in the tension at all as Jane removes herself from all distractions, including her beloved son, to pursue her husband’s killer. This is a chilling portrait of grief. She can’t allow herself to stop and think. Instead she unties the knots, one at a time, of Nick’s sad and tragic loss.
Jane’s grief has altered her. She would be the first to admit it. And we see its effects in her treatment of those she encounters along her journey. She doesn’t want to kill or hurt but she will if she has to and when she does have to she has not regrets. The scenes in which she confronts those involved in the conspiracy are powerfully painted and disturbing, but the most disturbing moments are those when we see something of what these people have done with their wealth and influence.
The Silent Corner is a tense and action-packed conspiracy thriller. It is also cold, its language clever and unusual, stark but also elegant at times. I found Jane extremely difficult to warm to but I don’t think we’re expected to care for her beyond our compassion for someone suffering such a loss. There are moments when she lets slip her guard and it’s those moments which I enjoyed the most, when she draws people to her by revealing her true nature. Dougal Trahern, a man we meet later on, has a similar way about him and his portrayal is drawn with great poignancy and care. And so our feelings are challenged through this novel. Its premise promises cold killing and science but in reality we are presented with people who are suffering greatly and will make the ultimate sacrifice to save their fellow men and women. There is a strong sense of service and loyalty in The Silent Corner.
My only issue with The Silent Corner would be that at times its language feels a little over the top and this distracts from Jane’s character and the plot. It makes the novel feel overlong on occasions. Nevertheless, this is a minor point and, on the whole, I found myself immersed in The Silent Corner, willing Jane on while always fearing the worst. I’m interested to see how the series will develop as Jane moves away from this defining opening case.