This month, Faber & Faber published thriller Say Nothing by Brad Parks. I’ll be reviewing this shortly but, in the meantime, I’m delighted to host a very entertaining guest post from Brad on why he writes and what he gets out of it. But first, a little of what Say Nothing is about:
On a normal Wednesday afternoon, Judge Scott Sampson is preparing to pick up his six-year-old twins for their weekly swim. His wife Alison texts him with a change of plan: she has to take them to the doctor instead. So Scott heads home early. But when Alison arrives back later, she is alone – no Sam, no Emma – and denies any knowledge of the text . . .
The phone then rings: an anonymous voice tells them that the Judge must do exactly what he is told in an upcoming drug case and, most importantly, they must ‘say nothing’.
So begins this powerful, tense breakout thriller about a close-knit young family plunged into unimaginable horror. As a twisting game of cat and mouse ensues, they know that one false move could lose them their children for ever.
Hugely suspenseful – with its fascinating insight into the US judicial system and its politics of influence and nepotism – Say Nothing is, above all, the poignant story of the terror these parents face, and their stop-at-nothing compulsion to get their children back.
Guest Post: Why I Write
Given recent events, you poor Brits are surely accustomed to crass, boorish Americans—not mentioning names or anything—so this shouldn’t come as a shock:
I got into writing for the money and the sex.
It’s true, oh gentle For Winter Nights readers. My first writing gig was for a local weekly newspaper, when I was fourteen. The job paid 50 cents a column inch, which was more than I could make babysitting.
So that was the money. As for the sex? The gig involved covering the high school girls basketball team.
Now, suspend your disbelief, but at fourteen I wasn’t quite the paragon of strapping masculinity that I am today. I was short, fat, and wore braces. However, I figured that if I was writing for the paper, girls would have to talk to me. And then I’d be able to work my charm on them and get dates.
Yeah, that part didn’t quite work out. But it did introduce me to the joy of storytelling, and to what I soon discovered was the real reason I got into writing:
I love being read.
No matter how cringe-worthy my articles were—and, trust me, they were bad—the mothers and fathers of these girls basketball players would lap it up, and then report back their thoughts about that week’s article.
It made me eager to impress them with my insight, to entertain them with witty turns of phrases, to get them talking about my story in the bleachers at the next game—no matter how sophomoric my prose actually was.
I’ve come a long way as a writer since that time (or at least I hope I have). But some things haven’t changed. My fundamental goal when I sit down to write is still to make people react to my words—whether they’re feeling tension, or laughing, or crying, or something else altogether.
This feels like an especially appropriate confession to make at For Winter Nights, because this blog covers such a wide swath of genre fiction. And, to me, the real hallmark of great genre fiction is that it values the entertainment of the reader over the self-gratification of the writer.
Don’t get me wrong, I get a ton of enjoyment out of this, too—it’s a wonderful, albeit patently ridiculous, way to make a living. But I’m never going to let my own needs take precedence over yours as a reader.
And when I hear from one of you, saying my book made you stay up all night to finish it? From where I sit, that’s even better than money.
But not sex. This writing thing has its limits, you know.
Say Nothing by Brad Parks is published by Faber & Faber (£12.99)
Brad Parks is the only author to have won the Shamus, Nero, and Lefty Awards, three of American crime fiction’s most prestigious prizes. Say Nothing is his UK debut.
For other stops on the Blog Tour, please take a look at the poster below.