Orion | 2016, Pb 2017 | 279p | Review copy | Buy the book
During one of those endlessly hot days of 1976, journalist Ed Peters discovers the Edwardian photograph of a beautiful young girl in a seaside town junk shop. Ed is immediately captivated by her face and learns that she lives nearby in White Cliff House. Her name is Leda Grey and she was once an actress, and the house was owned many years ago by Charles Beauvois, a director of silent films. Ed is desperate to learn more about the life of this woman, not seen for decades, and so he visits White Cliff House determined to win Leda Grey’s trust and hear her story which, he is sure, will bring a lost silver age to life.
Leda Grey and her house, decaying, unlit, perched precariously on the edge of a cliff, bewitch Ed Peters. Despite her years, Leda Grey still evokes the artistry and wonder of those days of silent movies and her house is full of reminders of those days and of the films that she made with Charles Beauvois. As Ed watches the films, winding the handle of the ancient projector, and reads Leda’s memoirs, her Mirrors, she and Ed relive those years long ago when one day Leda could be Lady Macbeth and on another she could be Cleopatra wearing a crown of snakes.
Leda Grey is the mistress of playing femme fatales roles and this air of doom and tragedy gently breathes through the pages of The Last Days of Leda Grey. The very title is laden with foreboding and the novel’s opening page declares that death should be expected. Ed Peters, one feels, is a lonely, searching individual, his yearning for something inexplicable enhanced by the summer’s sleepy heat. He is ready to be enchanted by Leda Grey and so he is and the story she tells doesn’t disappoint.
The novel moves between Ed’s experiences at White Cliff House and the retelling of the past thanks to Leda Grey’s Mirrors. The title of the memoirs is apt because mirrors, reflections and lights play an important role in the novel, all hinting at the trickery of film-making, as well as self-deception, a lack of knowledge and lies. As Ed Peters tries to understand he becomes increasingly knotted in the events of the past and the atmosphere of the novel grows more and more heavy with danger, mystery and sin.
The Last Days of Leda Grey is an intoxicating, bewitching sometimes sinister read. Essie Fox writes beautifully and immerses her reader in the story, which is often theatrical, sometimes sexual and increasingly disturbing. At times I found its atmosphere a little too heavy for comfort and I welcomed brief breaks to clear my head but I was soon ready to immerse myself once more. The Last Days of Leda Grey is a relatively short read, perfectly suited for a long winter’s evening, but the impression it leaves is much more lasting.