Fire by L.C. Tylor

Constable | 2017 (2 November) | 295p | Review copy | Buy the book

Fire by LC TylerIt is 1666 and the Great Fire of London is ablaze. Lawyer John Grey heads out into the smoke and flames to try and help. Almost everybody is going in the other direction, escaping with what they can carry while their houses burn. Grey finds a body with somebody hunched over it who flees as Grey approaches. But the corpse is no victim of the fire. He has been stabbed.

London is looking for somebody to blame and, as the fire dies down, rumours spread of French involvement. This is the last thing the royal court of Charles II wants. The court is suspected of Catholicism. If the French did start the fire then Charles and his brother the Duke of York would be given a hefty share of the blame. And then a Frenchman, Robert Hubert, is arrested, admitting to starting the fire and also stabbing his French accomplice to death. John Grey is more than a lawyer. He is also the agent of Lord Ardlington, the Secretary of State, and Ardlington despatches Grey to discover the truth. When he interviews Hubert he finds a man barely in possession of his wits, repeating details that he has been trained to say. It’s clear that this is the work of a conspirator’s plot. And as Grey and his friend Lady Pole trace the clues deep into the smoking ruins and along London’s busy river, it becomes clear that nobody is in more danger than they are.

Fire is the fourth novel in L.C. Tyler’s John Grey series and almost ten years have passed since the events of the first novel A Cruel Necessity, which was set in 1657 during the Cromwellian Commonwealth. The series, in my opinion, got off to a slow start with the first two books but in the third, The Plague Road, everything came together and the result was an exciting, well-plotted and brilliantly witty historical mystery. I’m delighted to say that Fire is every bit as good. This is fine writing and the tension and danger of the mystery is complemented by the humour of the narrative and dialogue. The novel is set during the Restoration, a time of wit and elegance, as well as sin and debauchery, and this mood is captured so well in these books. Fire made me laugh out loud more than once, something that doesn’t happen too often.

John Grey is a fascinating character with a history as convoluted as you’d expect in a society that is still picking up the pieces after the Civil War of the 1640s and the miserable Commonwealth of the 1650s. He’s in love with Lady Aminta Pole, whose background is as complicated as Grey’s, but real life – and scandal – keeps getting in the way. These two are very easy to like, although I can’t help feeling extra regard for Will, Grey’s poor clerk and servant who seems to spend much of his time as a go-between and has more sense in his head than almost everybody else in Grey’s world.

The mystery is such a good one and the setting in London’s smouldering ruins is richly evocative. I really enjoyed the descriptions of the city, its firefighters and their rather ungainly machines, river crossings and the camps that are set up to house the newly homeless and hungry. The idea that tourists flocked within mere days to look at the traditional starting place for the fire on Pudding Lane is an appealing one. This is a London crammed full of interesting personalities of all classes. This isn’t just a story about Charles II’s court. It covers all of London. And there in its middle is Grey who’s like a dog with a bone. When his teeth are dug in there’s no way he’ll let go.

Fire is a short novel – which is perhaps my only not entirely serious complaint – and it is put together perfectly. Not a word of its witty prose is wasted. I’ve always been fascinated by the Great Fire of London and it’s hard to imagine anyone immersing me in these astonishing days with more skill and wit than L.C. Tyler. I can’t wait for the next.

Other reviews
A Masterpiece of Corruption
The Plague Road

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The Bach Manuscript by Scott Mariani

Avon | 2017 (16 November) | 388p | Review copy | Buy the book

The Bach Manuscript by Scott MarianiWelcome to the 16th Ben Hope thriller by Scott Mariani! Like most of the books in this truly brilliant action thriller series, you can read The Bach Manuscript on its own with no trouble at all. But if you’ve read and adored them all as I have done and do, then you’ll have the added pleasure of knowing Ben’s colourful past as well as understanding a little about what makes this extraordinary man tick. But it’s worth bearing in mind that Ben’s life has moved on in so many ways since the early books.

Things have settled down a little for Ben Hope. For once he has the chance to develop his security business in France and that means a brief visit to England to investigate some new military hardware. It also gives him the opportunity to return to the University of Oxford and Christ Church College for a reunion. Ben has a dose of nostalgia. Few of his friends from University are still around but there’s one, Nick Hawthorne, who Ben would love to see again. Nick is now an internationally-renowned musician and he will be giving a recital at the reunion and Ben does not want to miss it. At a private party at Nick’s house in North Oxford, while Ben and Nick enjoy catching up, Ben spots an old and stained musical manuscript. Nick is adamant it’s a fake but Ben isn’t so sure – it certainly looks like it could be a lost work by Johann Sebastian Bach. And that stain on it – could it be blood?

But when Nick is found brutally murdered at his home, the manuscript stolen, Ben is determined to avenge the death of his friend and that means tracking down the priceless manuscript. The hunt takes Ben across Europe into the domain of one of the most evil characters Ben has ever faced, which is certainly saying something. The clues unravel the past of this manuscript which was lost during Europe’s darkest days – the Holocaust.

I’ve been reading Scott Mariani’s Ben Hope thrillers for years and I think it’s fair to say that this is my favourite of all series and Ben Hope is quite possibly my favourite of all heroes. Over the years we’ve gone through so much with Ben, we’ve experienced all of the heartache and trauma, as well as love and friendship. I can’t thank Scott Mariani enough for writing two of these thrillers a year. My habit is being kept well fed and it appreciates it. The Bach Manuscript went to the top of my reading pile when it arrived, as every single one of these books always will.

The first third or so of The Bach Manuscript represents a bit of a change of pace for Ben Hope. He’s reliving his past in Oxford and this gives him the opportunity to reminisce about the young man he once was while a student there. It’s fascinating to see him as he was, while loving the man he’s become (I’m rather overlooking the fact that he could kill a gang of five thugs with a single bus ticket). It also means we’re taken on a tour of Oxford. Oxford is my home town and so I’m pleased to say that the small city is presented with all of its streets and monuments in the right places. Although I must say that I was a little concerned at its depiction of bus travel in Oxford as being a violent and dangerous thing to do – not least because the bus in question is MY bus! But I did enjoy Ben’s sojourn in Oxford, especially as it took him to some of my favourite places. As a result, I retraced his footsteps on Saturday through Christ Church Meadow. So good to have Ben visit!

Once Ben leaves Oxford then we’re in more typical Ben Hope territory as he sets off in pursuit of baddies as evil as evil can be. It’s thrilling stuff and the pages race through the fingers. While this probably isn’t my favourite of stories for this series (there are sixteen of them, after all), it certainly makes the heart beat faster and I couldn’t put it down.

I love all the little touches of humour, of Ben’s humanity, and his interaction with others he meets who help or hinder him in his quest. The car chases are always particularly fun and there are more than enough explosions and gunfights to satisfy the action thriller enthusiast in me. I always enjoy the books in the series which involve a quest and that’s what we have here.

I can’t praise this series enough. I hope it never ends. If I could read them all day, everyday for a month I would. So, if you haven’t read any before, give yourselves a treat and dive in, at the beginning or with one of these later books. Ben Hope is waiting.

Other reviews
Ben Hope 7: The Sacred Sword
Ben Hope 8: The Armada Legacy
Ben Hope 9: The Nemesis Program
Ben Hope 10: The Forgotten Holocaust
Ben Hope 11: The Martyr’s Curse
Ben Hope 12: The Cassandra Sanction
Ben Hope 13: Star of Africa and Ben Hope 14: The Devil’s Kingdom
Ben Hope 15: The Babylon Idol

Day of the Caesars by Simon Scarrow

Headline | (2017 (16 November) | 367p | Review copy | Buy the book

Day of the Caesars by Simon ScarrowIt is late AD 54 and the Emperor Claudius is dead. Rumours of murder are circulating around Rome but few dare to utter them outloud. His adopted son Nero now wears the purple, supported by his ambitious, dangerous mother Agrippina. But he needs little of her support – he’s every bit as lethal in his own right. Claudius’s own son, Britannicus, is in a very precarious situation indeed, not least because others look to him as a possible solution to the problem of Nero.

Cato and Macro have arrived back in Rome as heroes after their mission in Hispania. Back within the Praetorian camp, they are positioned better than most to hear the rumblings spreading across the army at the turn of political events, and the lack of their promised gold. Cato, though, has other things on his mind – building a relationship with his young toddler son, Lucius – while Macro has distractions of his own. But it doesn’t seem to matter who’s emperor. They always have jobs in mind for Cato and Macro – and they’re never pretty.

Day of the Caesars is the sixteenth novel in Simon Scarrow’s hugely popular Eagles of the Empire series and it is always good news when Prefect Cato and Centurion Macro return. I’ve loved these two for years and have followed their exploits across the empire with pleasure. This time they’re back in Rome but Rome has never been more dangerous. But Rome is home for Cato and Macro and so we watch them try to put their private lives back together again after months away, finding some comfort, while at the same time we worry for them as the murky and complex world of politics and conspiracies threatens them and their plans from every side.

It’s difficult to imagine a more dangerous period in Roman history than the middle of the 1st century AD. I’ve enjoyed several novels about Nero over the last year and it’s rather refreshing that, in Day of the Caesars, no apologies are made for Nero – he’s as nasty and terrifying as history would have him. There is a scene early on which sets the tone for Nero and while I found it repulsive it certainly achieved its aim in summing Nero up. This is a man to hate. But this is Roman politics and, as such, there’s little to admire in any of the factions and nothing is straightforward. I enjoyed the tangled plot that Simon Scarrow has constructed here. It’s tense but it’s also thrilling and it has the whole of Rome in its grip.

This is most definitely historical fiction. Liberties are taken with events and with historical figures. But that matters little because this is the story of Cato and Macro – two fictional characters at the centre of events that are constructed around them. But the picture of the city of Rome itself is so well drawn, particularly its depiction of the city’s lethal poorer tenements. As usual, though, I have some issues with the author’s portrayal of women – none of the women featured here do well out of it.

In some ways, Day of the Caesars feels like a stepping stone novel. It informs us of what is going on in Rome while moving Cato and Macro from Spain to their next posting. As a result, I don’t think this is the best of the series but it’s certainly hugely entertaining, exciting and thrilling. Time spent with Cato and Macro is always time well spent and now that the sixteenth is read, I’ll look forward to the seventeenth which, just like all of the others, will go straight to the top of my reading pile.

Other reviews
The Blood Crows
Brothers in Blood
Britannia
Invictus
With T.J. Andrews – Invader

Murder on the Orient Express by Agatha Christie

HarperCollins | 1934 (this edn 2017; 19 October) | 240p | Review copy | Buy the book

Below you’ll find first a review from my recent re-reading of Murder on the Orient Express. Beneath it, there’s my report of one of the most extraordinary days I think I’ll ever have…

Murder on the Orient Express by Agatha ChristieIt is the early 1930s and there are few ways more luxurious to travel from Stamboul to London than on the glorious Orient Express. The train is full and so famous Belgian detective is fortunate to find a berth when a case he’s been working on calls him back to England in a hurry, curtailing a longed for time of rest among the wonders of the Turkish city. It is midwinter and after just a day and a night the train is stopped in its tracks by an impassable snowdrift. There is no choice but for everyone aboard to wait until help can arrive. But this can be of no concern to Mr Ratchett, the wealthy American businessman in the berth next to Poirot’s, for in the night he has been murdered, stabbed multiple times in his chest.

The passengers are trapped. And what a group they are, hailing from all over the world and from all walks of life, from an elderly Russian princess to a young English governess. Poirot has no doubt that amongst them he will find the killer, but which of them is it? And why are there so many clues? Too many clues for Hercule Poirot’s peace of mind.

I grew up on Agatha Christie’s novels and during my teenage years I read every single one of them (my young adult reading was Agatha Christie, Jean Plaidy and Arthur C. Clarke). Since then, I’ve returned to the Poirot books because these were always my favourites and, while Death on the Nile has always been the one I loved the most, Murder on the Orient Express has never been far behind.

The setting and circumstances of Murder on the Orient Express provide the perfect background for an Agatha Christie novel – the confined space, the exotic location, the limited number of suspects, the clever and seemingly unsolvable crime, the glamour, the passion. And while Agatha Christie demonstrates once more what a genius she was, the murder also gives Hercule Poirot one of his most perplexing cases as well as perhaps the biggest moral conundrum of his career.

I’ve read Murder on the Orient Express three times now and obviously I know who did it. I suspect there aren’t many who don’t – aided by the television and movie dramatisations of the novel over the years, including the most recent version directed and starred in by Kenneth Branagh. But somehow it doesn’t seem to matter. I enjoyed reading it again perhaps even more than I have done before. It didn’t hurt that I was reading such a beautiful celebratory hardback edition, or indeed that I actually carried it on to the Orient Express train itself, but it was a pleasure to read it in search of the clues. Knowing how it ended, I could observe Poirot at work as he interviews the passengers one by won and follows the clues.

There are elements that have aged less well than others, particularly in the regard of some characters for some nations. Snobbery is rife, class is everything, at least to some. But Poirot manages to bridge these cultural and social divides because he is an outsider and also because he’s more elegant and refined than the lot of them.

I thoroughly enjoyed spending time with this much loved novel again. I found Agatha Christie’s style refreshing, to the point, curt in places, but more often than not eloquent and elegant. It evokes a bygone world beautifully and so now the novel is as much a historical piece as a supremely successful crime novel. I enjoyed it for both and it inspired me to go back and re-read more. Hercule Poirot is extraordinary and it’s good to be reminded of this by rediscovering him where he was born – on the page.

Premiere report

On 2 November, I had a day unlike any other, all thanks to HarperCollins, Twentieth Century Fox and Agatha Christie Ltd. I can’t thank them enough because for one day I was treated like a movie star. I think I could get used to red carpets, five star hotels, premieres, and lots and lots of champagne. All the photos below were taken by me.

The day started with something I have always wanted to do – boarding the Orient Express train at St Pancras Station in London. I’ve seen the movie and obviously read the book and now here I was sitting in one of its plush seats in the glamorous bar carriage, listening to James Pritchard discuss the legacy of his great grandmother, Agatha Christie. Across the carriage was Agatha Christie’s portable typewriter. The last time it had been on the Orient Express it had been with her.

Orient Express

It was good to hear that more adaptations may follow Kenneth Branagh’s Murder on the Orient Express. But the overriding impression I was left with was how incredible and intrepid Agatha Christie had been – to have travelled across the world on her own in a time before television to places that she could not have fully imagined in advance. I’ve always been interested in the story of Agatha Christie’s expeditions with her archaeologist husband Sir Max Mallowan but she did so much more than that. Agatha Christie and her husband are buried in the beautiful village of Cholsey, not too far from me, and I regularly pay my respects.

James Pritchard

The premiere experience at the Royal Albert Hall was unforgettable. I’ve been to a fair few premieres due to my movie blogging years but this was the first time I’ve been to one as a guest and it was incredible. With my special pass, I was able to access the areas with the stars and so watch them all be interviewed on the red carpet stage by Lorraine Kelly. It seems a long time ago since I used to go and see Kenneth Branagh on stage with his Renaissance theatre company. Now look at him! I was particularly thrilled to see Daisy Ridley and she looked beautiful.

Daisy Ridley
Daisy Ridley
Kenneth Branagh

The film itself was thoroughly entertaining although I was a bit overcome by the atmosphere inside of the Royal Albert Hall (I collected my degree in the Hall in another century and this was my first time back), the occasion, the sound system and by the amount of champagne. I was interested in the ways in which the film veered from the novel but I thought that the addition of the viaduct and the use of the outdoors for one of the most important scenes were inspired. I thought Branagh was fantastic as Poirot – completely different from David Suchet and Albert Finney (certainly from Peter Ustinov). This Poirot is a man of action as well as a genius with his little grey cells. The practicality of the moustaches is another matter entirely.

Johnny Depp
Josh Gad
Kenneth Branagh
Judi Dench
Royal Albert Hall

An extraordinary day and one I’m so thrilled and grateful to have experienced. It means a lot to me that this was all to celebrate Agatha Christie, an author who has played such a significant part in developing me as a reader and lover of books. Many years have passed and it’s so good to think that films such as this may give new generations a nudge to read and love Agatha Christie’s mysteries, just as their parents and grandparents have done.

Agatha Christie's TypewriterPoirot choccies

Thanks again to HarperCollins (Fliss), Twentieth Century Fox (Olivia) and Agatha Christie Ltd (Lydia) x

Artemis by Andy Weir

Ebury/Del Rey | 2017 (14 November) | 320p | Review copy | Buy the book

Artemis by Andy WeirLife isn’t so easy for the poor in Artemis – the Moon’s one city. While the rich inhabitants and the excited tourists enjoy a pleasuredome of delights and privilege (complete with organised tours of the Apollo XI landing site), those who serve them in some way are lucky if they live in a room large enough to stand up in. Jazz Bashara, who’s lived on the Moon since she was six years old, doesn’t. She scrapes a living as a porter, delivering items from the cargo and tourist ships that regularly arrive from Earth, and supplementing that income with a good old-fashioned activity – smuggling.

Jazz has her dreams and to fulfil them she needs lots of ‘slugs’ (or money). One day one of her reliable wealthy clients offers Jazz the job of a lifetime. It goes beyond smuggling. It could get her into serious trouble, perhaps even deported to her family’s original home in Saudi Arabia, but the money sings. Jazz can’t say no. It’s not long before she wishes she had.

Artemis is the highly anticipated second novel by Andy Weir, author of The Martian. The wonderful and original The Martian is a very hard act to follow and the author has his work cut out. In some ways he pulls it off – the world building is fantastic. Just as he had made us experience the hostile surface of Mars, now we see what life could be like perched on the Moon’s surface in enclosed bubble domed cities, underground, in spacesuits, in tunnels and in its bars. It’s a claustrophobic and dangerous world (Moon dust can slowly kill) but it’s also exotic and beautiful – and it has a strong pride in its lunar history.

It isn’t just the landscape and environment that are visualised so powerfully – the society is also made real, complex and intimidating. Politics, economics, greed, science, innovation and inequality all play their part in shaping life in Artemis. While there isn’t much violence, there’s a sense that it may only be a matter of time. Once the shine has worn off.

Jazz is surrounded by a host of interesting characters, all with their own conflicts, hidden feelings and motivations, and many, but by no means all, are drawn towards Jazz. I really enjoyed some of these characters and if anything I wished we learned more about them. Jazz, however, I didn’t get along with so well. She’s supposed to be 26 years old but you wouldn’t know it unless you were told. She appeared to me as a stereotype of how a man might think a teenage girl might think and behave. This sounds harsh but I was really disappointed in her character and in the way she was written. Fortunately, the others around her gave me more to like.

My biggest issue with Artemis, though, is with its dialogue. At times I literally cringed at the juvenile squirmy jokes which are constant. The long-running joke about testing a condom wears thin (in a manner of speaking) as well. There’s a lot of talk about sex while nobody actually has it. Perhaps it’s to remind us that these young people are adults instead of the teens you’d assume they are. None of this dialogue seems realistic for a 26-year-old woman. A few characters – such as the police officer Rudy – speak with maturity but when they do they sound like parents chiding a child.

It’s difficult not to compare Artemis with The Martian, especially as I loved The Martian so much. As I say, there are aspects of Artemis that I really enjoyed, particularly with the visualisation of its setting and the composition of its society and rules, but, as a whole, I was disappointed by Artemis not least because I had such high and possibly unrealistic hopes. Those hopes, though, will carry me on to his next novel. I must say, though, that the cover of Artemis is spectacular!

Other review
The Martian

The Zig Zag Girl by Elly Griffiths

Quercus | 2015 | 339p | Bought copy | Buy the book

The Zig Zag Girl by Elly GriffithsIt is August 1950 and Detective Inspector Edgar Stephens is about to get an unpleasant surprise. Two large black cases have been recovered from the left luggage at Brighton’s railway station, reported as suspicious for their nasty stench. On opening them, Edgar is confronted with the head and legs of a woman sawn into three. The middle section soon follows but this black case, very disturbingly, is sent directly to Edgar. And there are notes as well, sent from a Mr Hugh D. Nee. The dead girl was clearly murdered in a way reminiscent of that famous magic trick – the Zig Zag Girl. This is just the sort of trick that Edgar’s wartime comrade and friend, and now a celebrated magician, the great Max Mephisto, would perform. And the coincidences don’t end there – Max is currently performing in Brighton and it appears that this poor girl was once Max’s glamorous assistant. It’s all about to get very personal for Edgar and Max.

I recently read and reviewed The Vanishing Box, the fourth mystery in the Stephens and Mephisto series by Elly Griffiths. I fell in love with it, so much so that I immediately bought the others in the series and now I’ve gone back to the beginning. It’s in The Zig Zag Girl that we’re first introduced to Edgar Stephens and Max Mephisto who have met up again for the first time since they served together in the war in the curious and secret unit, the Magic Men. The Second World War still casts a shadow over Edgar, Max and the others in the Magic Men unit. And in that shadow answers might be found.

The historical setting in this series is perfectly realised. I love the portrayal of Brighton during the 1950s with its theatres, boarding houses, pubs and (possibly haunted) police station. These are the days in which variety performers are beginning to worry about the future in a television world, but the thrill and the skill of magicians, dancers, comedians, ventriloquists, snake charmers, performing dogs and all those other colourful personalities of the stage still lives and Elly Griffiths captures it all brilliantly. I love all of the historical details, the social codes, the old-fashioned policing, the almost theatrical suspense and danger of the case, the glamour of the theatre and the austerity of the post-war years. It’s riveting.

I love Edgar and Max. It isn’t easy deciding which I love more but I think it could be Edgar. Elly Griffiths paints his character beautifully, building it up over the chapters, as we learn his history, feel his moods, sadness and hope. He’s truly wonderful. And he and Max make such a fine partnership. Little builds a relationship like fighting together in war and they do feel like brothers. In this novel I particularly enjoyed the interaction between the surviving members of the Magic Men. They’re each very different but all linked with insoluble ties. And the little touches of humour, intermingling with the feelings of sadness and regret, are irresistible.

It’s not often that I fall for a series as fast and as deeply as this one. Smoke and Mirrors is the next in the series and you can expect a review of it very soon indeed.

Other reviews
The Vanishing Box
The Chalk Pit (Ruth Galloway series)

Places in the Darkness by Chris Brookmyre

Orbit | 2017 (9 November) | 416p | Review copy | Buy the book

Places in the Darkness by Chris BrookmyreCiudad de Cielo (CdC) is the City in the Sky, humanity’s gateway to the stars – or at least that is the intention. Located many thousands of kilometres above Earth, CdC is a space station comprising two enormous Wheels that whirl around a central trunk, each Wheel the home to thousands of men and women. Their mission is to create and construct the first of the generation starships that will carry mankind to a new home. There are no children. Everyone on CdC has a place and a purpose, an inspiration, and so there is no serious crime. That is the official line.

In reality CdC is also known to its inhabitants as Seedee, a fitting name indeed. While the prosperous enjoy comfort and space in Wheel Two, the rest are squeezed into Wheel One and life thrives behind doors, in bars, clubs, brothels, gambling dens, gardens of sin. Contraband alcohol is the currency of choice and competition for the good stuff is fierce. Two club-owning gangsters are fighting a turf war but, when one of their men is murdered horribly, the authorities are most concerned that news of it doesn’t reach Earth. Wheel One is policed by the Seguridad and Nicola Freeman is one of their sergeants. She’s the perfect choice to investigate the murder, not because she’s a fine detective but because, if there’s a pie, you can be sure Nikki Fixx has got her finger in it. Unfortunately, Nikki has been given a partner, a young and new arrival to CdC, Jessica Cho, a formal observer from Earth’s Federation of National Governments and a walking rule book. And nothing at all as she seems.

Chris Brookmyre is a familiar name in crime fiction for his Jack Parlabane novels (I loved Black Widow). Now he looks to the future and the claustrophobic, dangerous and exhilarating space station of CdC. As soon as I heard about Places in the Darkness I was desperate to read it. Its premise is fantastic. But what I discovered in these pages is something even better than that.

The worldbuilding in Places in the Darkness is jaw droppingly brilliant. It is immediately striking, vivid, dark, chaotic but also strangely appealing. And this is all summed up by the character of Nikki Fixx. She is dangerous to know, undoubtedly hated by many for good reason, corrupt, venal and at times extremely unpleasant. But we’re never entirely allowed to believe the worst, even when we watch her bulldoze her way through other people’s lives. Watching Nikki and watching the underworld of Seedee get through each one of its strange days is compelling. It’s violent and thirsty, sex-driven and greedy. But somehow it works. Until the murder happens and it’s soon clear that this odd world is about to be turned upside down.

The character of Nikki is offset by Jessica and, as the novel went on, I began to like her just as much as Nikki. This is helped by the pacey, present-tense narrative shifting between the two. Sometimes events overlap slightly as we see them from both perspectives. We’re not let into all the secrets by any means – and there are an awful lot of those. It’s as if we’re slowly allowed into Nikki’s confidence just as we’re slowly acquainted with Jessica.

The pace builds and before you know it we’re aboard a runaway train. Places in the Darkness is tremendously exciting. Full of surprises, deadly chases and dark conspiracies, all taking place in the contrasting shadows and artificial light of Ciudad de Cielo. When I reached the end I was surprised at how far this book had taken me. It’s not a straightforward journey but it is most certainly thrilling. This is one of the best science fiction crime novels I’ve read in a long time – with the best of characters, story and mood – and I can only hope that Chris Brookmyre takes us into orbit or beyond again.

Other review

Black Widow